En El País De Los Pies Ligeros El Niño Rarámuri

The Chilean Atacama desert provides the backdrop for a series of static shots that foreground emptiness. The natural setting becomes a mental space. The artist systematically studies material limits, the invisible, the unintelligible. She explores emptied landscapes as allegories of sensory deception and metaphors of fragility.

Alicia en el país tells the real story that took place in 2004, of a thirteen year old Bolivian girl who undertook a singular journey: to walk to the town of San Pedro de Atacama, in the Chilean altiplano, to look for work. It was 180 kilometers between desert, snow and salt flats, with the purpose of helping her family and responding to an ancient Quechua tradition, where the entrance to adulthood implies making a long journey.

The search for a territory. The absence of the recognizable and familiar. The cartography of a landscape traced by memory and remembrance.

The landscape of the olive grove is the protagonist of the Mediterranean territory and is shown in this documentary at ground level and from a bird's eye view, in different unique locations of the Iberian Peninsula. From the Somontano de Barbastro in Aragón, to the south of Andalusia, with a sea of ​​olive trees, in the mountain ranges or in the fertile plains and riverbanks. A humanized territory that, for centuries, has been sculpting history and this, not only giving a characteristic identity to our landscape, but also outlining the gastronomic tradition and culture of the Mediterranean.

The ruthless dictator Teodoro Obiang has ruled Equatorial Guinea with an iron hand since 1979. Juan Tomás Ávila Laurel is the most translated Equatoguinean writer, but he had to flee the country in 2011, after starting a hunger strike denouncing the crimes of the dictatorship. Since then, he has lived in Spain, feeling that, despite the risks, he must return and fight the monster with words.

It has often been said that Uruguay has no remaining indigenous population. Roberto and Monica, who are two charrua descendants, vindicate their heritage and make us look back into the past to question the present. In a society that denies part of their origins, the quest for identity becomes a challenge.

Beginning with his childhood and covering the many facets that characterized his intellectual universe, this documentary details the different aspects of the most important venezuelan writer of the 60s, 70s and 80s: José Ignacio Cabrujas.

This documentary from Señal Colombia takes viewers on a journey through Colombia's badlands, showcasing the beauty of these unique ecosystems and the practices of the U’wa people that live there and envision sustainable development that opposes the harmful mining practices that threaten the natural balance.

Lilia, a Colombian citizen, has lived in eight countries around the world. Now, at the age of 67, she grows old alone in Portugal, caring for an Alzheimer's patient. The filmmaker asks her mother Lilia if she has found home and if she will ever return to Colombia, her native country she hasn't visited for the past 40 years. HOME is a personal-approach documentary about loneliness and the sense of belonging.

Mumu discovers a flock of sheep grazing in the park where he plays with his friends Milo, Rita, Talalo, Alfred and Olga, and can´t avoid compare her snowy appearance to them, the troops of cloth, fabrics made ​​of very different prints, lots of spots of all colors playing in the field and in the puddles. And feel some shame and envy of his friends of the sheep shiny. And when he discovers that these sheep are actually spotless stars that will be part of a great show, Mumu is so fascinated that he have to change what is necessary for that to become also a glamorous star. She was a very special cow can not keep wasting time with a group of friends wrong.

We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.

A crooked CEO is kidnapped and nobody cares enough to pay his ransom.

The ruler of the land of Bella Flor promises positive improvements by joining forces with a foreign suspicious robot. Soon, Pico Fino and the inhabitants of Bella Flor realize they've been deceived and a revolution begins to bloom.

Through the years and from a very intimated point of view, this is the story of the adaptation process of two Syrian refugee's families to a faraway country called Uruguay, they completely disown.