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In this living performance, set in their bed theatre, they enact their daily ritual of wound care. Cotton gauze bandages are unraveled and carefully wrapped around their inflamed limbs, only after cleaning the wounds and simultaneously applying sterile hydrocolloid dressings. Repetitive monotony and pain.

A priest falls in love with a neurotic actress in a therapy workshop, he moved to Paris to try his luck with her and discovers "the Spanish Inn" of love and sexuality.

A campy low-budget sequel to 1971's cult classic gore-fest with an interplanetary sub-plot grafted on. The giant flesh-mangling meat grinder in the basement of the Lotus Cat Food Company is back in business under new management. And this time the popular "food for cats who like people" has drawn the attention of an alien race of intelligent felines from the planet Ceta. The Cetans' food supply has been destroyed in their interplanetary war with dog-headed dinosaurs. With help from the U.S. government's "men in black" the cat queen, Felina, negotiates a mega-deal with the Lotus Company to supply her planet with food. This sudden increase in orders has the new owners scrambling for fresh - and not-so-fresh- human flesh to meet the growing demand.

Horror - SADOMASTER - A mysterious Masked Avenger begins his brutal revenge against gangs and the corrupt politicians. CHINA WHITE SERPENTINE - Struggling writer is investigating the mysterious death of his younger brother. SEPARATION ANXIETY: DEAD BODY MAN 2 - Willie is back for another round of killing and porn watching. BIZARRE LUST OF A SEXUAL DEVIANT - A prowler is on the loose in the city. I SPIT ON YOUR CORPSE, I PISS ON YOUR GRAVE (ORIGINAL CUT) - Sandy was abducted and brought to this pit of pain as the next intended victim.

Rival reporters (George Brent, Joan Blondell) investigate a Hollywood star (Adele Jergens) and the box she receives with a dead man inside.

On December 30, the whole country is already resting in anticipation of the New Year... and it's the hottest time in Santa Claus Corporation. It's good that the New Year is not only fireworks and salads, but also real magical transformations.

The wealthy patriarch of the Sinclair family lives in mortal fear of being buried alive because he suffers from a rare condition that causes him, at times, to appear lifeless. So, when he dies, his relatives learn that his will stipulates that nobody will see a penny unless they follow a strict set of orders which would allow for him to "return from the dead." When the relations refuse to comply with his wishes, he returns from the grave and proceeds to exact his revenge on his insubordinate kin, killing each of them in precisely the ways they most fear.

Lieutenant Colonel Thanasis helps the colonel's son and his niece to marry their loved ones, while he wants to marry the general's servant, Frosso.

In 1991, Lionel Soukaz initiated his Journal annales, filming his "community of fags, poor people, and drug addicts" confronted with the AIDS epidemic, in 2,000 hours where public events intersect with the intimacy of his daily life. Faced with the impossibility of making a montage that would reflect the richness of this approach, Stéphane Gérard and Lionel Soukaz, for this project, focus on associations, mobilizations, meetings: the collective forms of commitment among the diversity of the fronts of struggle.

Haiti, a lonely forgotten black island abandoned to its poverty and misery. A white woman, Madame lives in a fantasy in which she helps to teach, inspire and feed the retched masses of the world. She is in fact completely cut off from them – a continent away. The awakening of desire between Madame and her black servant boy, Patrick, will lead her from her isolation out into the real Haiti, where she will for the first time see and hear the land and its people, discover the reality of her own body, her identity and come face to face with her own mortality.