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Haiti, a lonely forgotten black island abandoned to its poverty and misery. A white woman, Madame lives in a fantasy in which she helps to teach, inspire and feed the retched masses of the world. She is in fact completely cut off from them – a continent away. The awakening of desire between Madame and her black servant boy, Patrick, will lead her from her isolation out into the real Haiti, where she will for the first time see and hear the land and its people, discover the reality of her own body, her identity and come face to face with her own mortality.
The author shows photographs from the youth of her partner’s body-screen while massaging his back. A loving tussle between images of the past and a present marked by the passage of time.
An unscrupulous reporter investigates the discovery of a corpse in the trunk of a car stolen by his young brother, a petty criminal.
This film is an in-camera portrait of my niece, Mia Larose (who was six months old at the time) captured during a winter family reunion in Lac Saint-Charles, Québec. Shot on a single roll of super 8mm film and hand-processed.
Two friends are very close in college and in everyday life. During a pursuit between the car driven by one and the motorcycle of the other, an accident occurs; the motorcycle skids and its driver is killed. Karl, the survivor, begins to remember: their tennis games, their mutual friend, their games, their lessons, their holidays and their discussions. The film intersects all these memories to try to identify the deep friendship that bound the two teenagers and takes place in the present of Karl and the friend and in the past of memory. After having done everything to find his friend, even going so far as to dig him up in the cemetery in the middle of winter, Karl, appalled by his "murder", becomes more and more schizophrenic. He enters the hospital and stays there until the end of his days, fixated on this accident which turned his life upside down.
Short film from André Almuro
Abou and Nawal Lagraa want to create the country’s first contemporary dance company at Algier’s National Theatre. Laurent Aït Benalla follows the ten young self-taught dancers, hailing from the world of hip-hop, from the rehearsals to the show, which he films from behind the scenes, where bodies emerge from the shadows to soar towards the light of the stage.
An experimental film exploring gender identities excluded from the binary system. By constructing a theatrical space including fabricated sets and props, invented radio interviews, vignettes of archival footage, as well as overlays, the film explores the relationship between body and self. In this in-between space, uncertainty can finally have free rein.
When a criminal gets betrayed by his business partner, he decides to go on a revenge mission to avenge his partner and get his money back. This causes him to learn a dark secret he would've never expected.
Armand is a pickpocket. In stealing a camera, he did not expect to discover his portrait, pris sur le vif.
A series of visual experiments made in collaboration with the performers in the film.
Zoé, 22, is a university student preparing to become a sports teacher. She realises that she has a central role to play in combating gender inequality, which is often learned by default in childhood. She addresses her ideals directly on the sports fields, as her views are shaped by seeing the bodies of sportswomen in the heat of action, doing somersaults, tackles and scrums.
In search of a new way of life, Diane, 25, settles in her grandfather's home in a village bordering a forest where she practices archery.