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Cómplices al Rescate is a Mexican telenovela starring Belinda as two twins who were separated at birth.
When the local police inspector was found dead in a prostitute's house, police division commissioner Stan Borowitz is sent to investigate the situation. Posing as the prostitute's long-lost brother "Antonio Cerruti," he discovers a mare's nest of police corruption. In fact, in this comedy thriller the whole town is corrupt. If they were closely examined, Stan's methods for pursuing this investigation might embarrass the police. For instance, he drives into a criminal's house in a fancy, expensive race car. In another incident, he callously blows up a casino owned by Musard , one of the town's crime bosses. On that occasion, he first forces Musard to remove his clothes, and the poor criminal watches his casino explode from across the square while standing naked in a phone booth. Meanwhile, Stan seduces the lovely Edmonde.
In the fictional city of Saint Andrews, Brett Montgomery, a wealthy cosmetics businessman and doctor at the local hospital, and Brad, his evil twin brother, battle for control of the Montgomery family fortune. Brett’s fiancée, Cricket, is a journalist with the local television station and has a twin sister, Ashley, who is a nurse at the hospital.
In 'Zeeman Confronteert: Stalkers', Thijs Zeeman helps the stalked to put an end to the rather unpleasant situation. Thijs investigates to find the stalker. Thijs then confronts the stalker with his or her behavior and hopes to stop the stalking. He is assisted by private detective and ex-military police Nico van den Dries.
An American narcotics agent is murdered in Italy. The head of the department decides to hire Larry Stanziani, 'The Cobra'. Larry, a former agent and now a third-rate private detective, uses the opportunity to get even with an old enemy, but soon he finds out he's facing a relentless organization
After growing up in Switzerland, 13-year-old Marta returns to a city in southern Italy with her mother and older sister. Independent and inquisitive, she joins a catechism class at a local church. However, the games and religious pop songs she encounters there do not nearly satisfy her interest in faith. Struggling to find her place, Marta pushes the boundaries of the class, the priest, and the church.
