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Amélia, an emerging non-binary filmmaker, has been given 2 months given and a research grant to find out more about francophone queer life in western Canada. As the only participant from (what is colonially known as) British-Columbia and with only 3 weeks left, the pressure is on: Amélia rushes to find any traces of francophone queer people in Vancouver before the year 2000, the year they were born. Amidst this chaotic research effort, they find André, an older French-Canadian gay man that lived in Vancouver for 25 years. Through their conversations, Amélia unlocks André's hidden personal visual archive, that proves that, indeed, francophone queers were alive and thriving years before they were born. This documentary shows how Amélia put together a presentation about their own queer ancestors through screen capture, archival footage, interviews and narration that ends up changing their own view of themself as a queer french-canadian in the west.

A group of friends in their thirties meet for a weekend in a mountain chalet for what will be a sort of review of an era in their lives and their relationships.

Audrey Lamy, nominated for the Molières, lights up the stage with all her talent and her fantasy, linking unique and hilarious characters: a mother on the verge of a nervous breakdown, a nymphomaniac girlfriend found on Facebook or even a more than shooting star of the "Poop Academy"...

Mirinda, a French sex worker, lives day by day in the outskirts of Phnom Penh. His meeting with Panna, a young abandoned girl, left to her own devices, will shatter his equilibrium and give him the courage to change his life.

Julien is 10 years old. He pretends to go to school but then hides out under a bridge, his backpack filled with clothes. A few kilometers away, 15-year-old Joséphine does the same and waits for the bus.

A forgotten national ballet company set in a theater under construction is shaken into life by the arrival of Julio Bocca, one of the best ballet dancers of all time.

I work with the interaction of space, and being in it, and the energies associated with them. The state of rest, then tipping over from it, and then returning to it again.

Francisco is a young paraplegic who fantasizes about dancing classical dance again. He lives with his obsessive mother, who is always concerned about his well-being, and interrupts his every fantasy.

Avant l’envol explores the actual state of a selection of relevant modernist public buildings in the main Ivorian city. As an architectural tour as well as a tribute to the remarkable architectural achievements of the 60s and 70s and to – among others architects– the great Henri Chomette, a special attention is given to users and passersby, to their gestures and ways of informally appropriating the spaces for their needs. Monumentality appears here as a reminder of the ambitious and utopian vision of an era and architecture itself becomes a metaphor for power that eventually reveals a state of lasting status quo.

In this somewhat literary exploration of the meaning of romance, loosely based on the works of Henry James, five modern-day couples gather at a country estate to mark the anniversary of their long friendship. Their romantic maneuverings, past and present, are too complex to summarize here. However, it is clear that they love to talk about love, and will do so endlessly, given the slightest opportunity.

Jeanne fled the Franco regime at the end of the 1930s. Married and mother of a little girl, she worked in a soap factory leading a peaceful life until the day she was asked to pass out leaflets in her factory. to Algerian workers.

In a world turn to ashes by a war without mercy against mankind and machines, a little boy trying somehow to survive. Although the threat of robots is everywhere, he is forced to leave in search of food. Despite his efforts to hide, he ends up getting caught. While all seems lost, the reaction of the robot takes an unexpected turn . In a world turned to ashes by war between human and machines, a boy tries to survive. Even if the robot menace is everywhere, he goes on a quest for food. Despite his effort to stay hidden, he gets caught. While everything seems to be lost, the reaction of the robot is not going to be what he expected...

A short animation serving as a prequel to the events depicted in the PlayStation 3 game, Mobile Suit Gundam: Battlefield Record U.C. 0081.

The title of this French "reality" drama, which translates to Before the Deluge, is a play on Louis XVI's famous prognostication, "Apres moi, le deluge." Set in 1950, the film concentrates on five Parisian adolescents. Certain that the next war will herald the apocalypse, the youngster make plans to run off to a desert island and set up a new society. This, however, will require money, which is why the boys decide to pull off a "necessary" robbery. Idealism collapses in the face of cold reality, as the five youths suffer from the consequences of their actions. Avant le Deluge was one of a group of films cowritten by director Andre Cayatte and Charles Spaak which endeavored to explore the touchy social issues of the day: others in the Cayatte-Spaak canon include the euthanasia-themed Justice est Faite and the capital-punishment tract Nous sommes tous des assassins.