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Habiba Djahnine went to meet activists who continue to take action. To meet them, to capture them in the spaces where they live, work or fight. They inscribe a few words of our tormented history. Memory, memory gaps, background noise, demonstrations... The film bears witness to 20 years of political mobilization/repression in Algeria.

Stéphane Guillon, le chroniqueur acide, cynique et caustique de 20h10 pétantes et du Fou du roi nous présente son nouveau spectacle. Moins féroce avec les stars que sur le plateau de Canal+, Stéphane Guillon réserve ici ses coups de griffes à quelques sujets de société : la sécurité routière, l'obsession du bio, la chirurgie esthétique, l'écologie, etc...

In September 2021, France will celebrate the 40th anniversary of the abolition of the death penalty. A decision so strong that it will symbolize, in itself, the first seven years of François Mitterrand. For Robert Badinter, it was the fight of a lifetime, rooted in a personal history marked by the rejection of injustice, which began after the arrest of his father by the Gestapo in 1943. A story told through archives and by his family and closest friends.

Sarah is part of a strange, marginal ménage à trois with her contemporary Louis and the older Ji-Guy, she fills her days with petty crime. During the day she hangs around with Louis by motorways, where she deceives and robs innocent people offering a lift. One day things go wrong: a driver dies during a robbery attempt. Sarah can’t stop thinking about the dead man and goes looking for the wife he left behind. In her, she finally finds something of the security and friendship she had unconsciously been seeking for so long. But her alternative family doesn’t just let her go.

Thanks to the development of techniques and the adventurous spirit of pioneering filmmakers, among whom Michel Brault occupies a central place, a new way of making cinema was born at the turn of the 1950s and 1960s. This film relevantly retraces the history of a collective movement which revolutionized production and filming methods in Quebec and the world.

A meditative ride through the city during a period of tumult and transition, shot entirely from a bike, with a haunting soundtrack by world-renowned noise artist GNAWED and analog video manipulations by Gordon Byrd (Basement Vibes, Teenage Moods).

The film consists primarily of degraded footage of landscapes shot from vehicles moving across the country; meanwhile, 537 computer-generated permutations of the film’s title appear like subtitles—the letters are scrambled over and over again, undermining the meaning of Pierre Trudeau's infamous motto.

Lancers parading, during the inauguration ceremony of William I's monument in Breslau, Germany (nowadays Wroclaw, Poland).

In an estate in the South of Algiers, in the middle of the nineties. Djaber and Yamina are neighbours, but do not know each other. For one as for the other, it is so difficult to meet between girls and boys, that they almost stopped dreaming about it. In a few days nevertheless, what was up to then that deaf and distant violence explodes in front of them, modifying for ever their fates.

Film shot on the edge of a river whose soundtrack is a text in French and in English said and written by Teo Hernández.