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"Avant que tu reviennes" is the fragmented, deliberately cubist story of a group of friends who get together in a nightclub a few days after one their tribe, who had ties with all of them, abruptly killed himself, leaving no note of explanation.

To follow in his father’s and older brother’s footsteps, Mihai, a seventeen-year-old Romanian, gets ready for a mission that he must go to France to finish. During the last night with his family, little by little, he is overcome with doubt and fear.

A horde of wild horses, historians who sing songs of the colonial war against the Russian empire, young people dancing on a public square, villagers cobbling together their own museum : in a small Caucasian republic, a whole people remembers. And, all along, the painter Rouslan Tsrimov guides us into the way of living and the thoughts of the Nartes, the mythical ancestors, as recounted by their saga.

She gets up, makes breakfast. He’s still asleep. Irritated, she launches into an interminable torrent of criticism of him. A monologue of increasing violence …

Rick feels hunted, Lilo feels vulnerable. Yet blood ties are stronger than anything. An afternoon spent together, playing, eating and a night spent under the stars: everything seems perfect. Lilo wakes up the next morning, uncertain whether she is living a dream or if it's reality.

Ana wants to become another woman, even if it means reaching an unimagined extreme.

The documentary filmmaker Robert Bober revisits the world of his great-grandfather, who left Poland to live in the modern and cosmopolitan city of Vienna, home to intellectuals such as Stefan Zweig, Joseph Roth, and Arthur Schnitzler, on the eve of the National Socialist regime's rise to power, which put an end to the city's status as Europe's cultural capital. What emerges is an emotionally powerful double portrait that reveals a search for identity with universal resonance.

“Music Forward!” is the order given by a lady in Colonial costume, and in march a group of five musicians, working industriously at their instruments. The directress stands them in a row, and taking the head off each, throws it onto a huge music staff and each becomes a note of the scale. The whole bodies appear again, after which the manipulator seems to wrap them up in a large sheet of music, which is then shown to contain nothing. The paper is rolled up again, and a cane is held, perpendicularly, in a horizontal position to the sheet.

"Mountains are falling, and there's nothing we can do about it. And even if we have the means to rise to their height to admire them, to surpass those inaccessible peaks where many explorers lost their lives trying to gain the privilege of overcoming them, the mountains will continue to fall as they continue to rise. If Mount Blanc falls, it also rises."

In this short documentary filmed at Charlie Hebdo in 2006, cartoonists and editors design a satirical front page image of Muhammad.

Mom, you brought me back to our homeland. All I know about these harsh landscapes I learned from books written by the hand that burned these mountains. I try to undo the colonial myths engraved into my memory, but the hills escape my gaze. Do you think I, too, have become the white djinn spoken of by the legends surrounding our martyrs?