En Avant Streaming Avec Sous Titres En Français

Film shot on the edge of a river whose soundtrack is a text in French and in English said and written by Teo Hernández.

Davidovich searches in vain for the meaning of "avant garde." The artist travels to Iowa City, where he conducts a series of "man on the street" interviews with artist Michael Smith, painter and critic Walter Robinson, University of Iowa professor of art history W.J. Tomasini, a security guard at the University of Iowa Museum of Art, an art school secretary, and strangers on the street.

Jaime Davidovichn searches in vain for the meaning of "avant-garde".

In her three-part series VALIE EXPORT takes a look at the themes of "staged space - staged time", "real movement - movable reality", and "structural film", a genre which no longer exists on public-service television. Using numerous examples from films prepared for the specific media, for example by Wojciek Bruszewski, Malcolm LeGrice, Sergey Eisenstein, Maya Deren, Kurt Kren, Yvonne Rainer, Anne Severson, Alfred Hitchcock, Linda Christanell, Gary Beydler and Marc Adrian, narrative and non-narrative forms of story-telling are examined and compared. Adrian appears in a live interview, and he attempts to explain the conditions of production, methods and Zeitgeist through his own work, including his first computer film, Random (1963). The advanced level of this film is also indicated by the high density of theoretical quotes from Christian Metz, Charles S. Peirce, Vsevolod I. Pudovkin and Ferdinand de Saussure.

Great egrets gathered at sunset in arboreal dormitories.

From the little theaters of the 1920s to the ad hoc film societies of the 50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and permeated the city symphonies of Alberto Cavalcanti, the visual music of Mary Ellen Bute and John Whitney, the classroom films of Sidney Peterson, the confessional film poems of Willard Maas and John E. Schmitz, the Lettrist cinema of Marc’O, and even marginal exploitation films and home movies. Drawn from the rich collections of Raymond Rohauer and the George Eastman House, Kino’s third volume of experimental films continues to illuminate the degree to which cinema’s evolution has been influenced by those filmmakers who occupy its periphery.

A young man shouts at the sea. Shot near Calais.

A mentally deficient man spends New Year's Eve in front of the television in his dingy rooming house, in the company of his landlord. The two spend the evening drinking and watching a ten-year summary of global catastrophes before the ominous programming is capped-off with well wishes for the New Year.

Using all the words he can find, a man tries to get a stranger to stay around—a stranger he approached on a street corner, one night when he was alone. He tells him about his world. A suburb where it rains, where everyone is a stranger, where no one works anymore; a nocturnal world that he is passing through, to flee, without looking back; he tells him about everything and about love, things one never talks about, except to a stranger like this one, a child perhaps, silent and motionless.

Fragmented memories of a voyeur in 3 chapters: "I grew up" but I’m still falling. "The stalker" who loses his footing. "Memory" and regression.

His footsteps in the stairs are mixing up with his heartbeat.

Unseen Cinema reveals hitherto unknown accomplishments of American filmmakers working in the United States and abroad from the invention of cinema until World War II, and offers an innovative and often controversial view of experimental film as a product of avant-garde artists, of professional directors, and of amateur movie-makers working collectively and as individuals at all levels of film production. Many of the films have not been available since their creation, some have never been screened in public, and almost all have been unavailable in copies as good as these until now. Sixty of the world's leading film archive collections cooperated with Anthology Film Archives to bring this long-neglected period of film history back to life for modern audiences.

“3 minutes 12 seconds” is an cyberpunk apocalyptic countdown

2min Avant le Ftour is a web series set during Ramadan that reflects what happens two minutes before the young person's breakup. According to this hilarious series, the stomach takes the place of the brain. Nothing matters except eating and/or drinking. And therefore, which features several families who live in the atmosphere of Ramadan but according to their ethnicity and their traditions..