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At the demise of empire, City of London financial interests created a web of offshore secrecy jurisdictions that captured wealth from across the globe and hid it behind obscure financial structures in a web of offshore islands. Today, up to half of global offshore wealth may be hidden in British offshore jurisdictions and Britain and its offshore jurisdictions are the largest global players in the world of international finance. How did this come about, and what impact does it have on the world today? This is what the Spider's Web sets out to investigate.
Singaporean curator and scholar Peter Lee explores the history of four Southeast Asian empires that made their mark on the world. Travelling from Thailand, Myanmar, Cambodia to Indonesia, Peter explores ancient ruins, epic legends and vibrant traditions to chart the rise and fall of four distinct empires, and how their legacy still shapes cultures and identities in the region today.
Empire is an hour-long Western television series set on a 1960s 500,000-acre ranch in New Mexico, starring Richard Egan, Terry Moore, Charles Bronson, and Ryan O'Neal. It ran on NBC from September 25, 1962, to May 14, 1963.
In the second abbreviated season, from September 24 to December 31, 1963, it was renamed Redigo after Egan's title character, Jim Redigo, the general manager of the fictitious Garrett ranch in Empire, and reduced to a half-hour. (Unaired Pilot: This Rugged Land)
To an undercover detective and his partner, events seem like typical gangland power struggle, but a feared criminal puppeteer seeks a powerful artifact with which to change the balance of ...
In the 20th Century more people died from viral infections than from all the wars around the globe. The Virus Empire takes a look at how deadly infections like SARS have warped to become scourges like Ebola.
1. Still Young 2. Prophets in the Sky 3. So Many Nights / Sleep Won't Sleep 4. How to Explain? 5. Til the Ocean Takes Us All / The Heart Is a Cannibal 6. Sly 7. Like a Drum 8. In My Pocket 9. Steal the Light 10. Two Shoes 11. The Wine Song 12. Brighter Than Gold 13. The Chariot
Danish artist, filmmaker and reality hacker Jakob Boeskov brings us a docu-fiction based loosely on the events of his life and his newest work. Overwhelmed by war-time horrors of the last decade, Boeskov creates a new identity for himself as the highly polished and well educated CEO of a fictitious weapons company, Empire North. He conceives of a weapon called the ID Sniper Rifle that shoots an undetectable GPS chip into the body of targets so police or government agencies can track them later. Boeskov then infiltrates a high-tech weapons trade show pretending to seek investors for his product. Upon his return to Europe, he finds his inbox flooded with requests to invest as overnight his bogus rifle becomes a highly coveted weapon. Boeskov’s latest piece is a horrifying glimpse into the world of arms dealing and the unethical race to create the next weapon of control.
Traumatised and fearful, she drives him to expose the culprit and other corrupt officers tarnishing the reputation of the Nigerian Police Force, despite the fierce resistance from the top brass.
Debut show from the Stratford Circus, London. Thursday 28th June 2018 Match card: -M&M (Maverick Mayhew & Connor Mills) Vs The198 (Flash Morgan Webster & Wild Boar Mike Hitchman) -Toni Storm Vs Bea Priestley -Aussie Open (Kyle Flecter & Mark Davis) & Adam Brooks Vs CCK (Travis Banks, Chris Brookes & Kid Lykos) -Mark Haskins Vs Naoki Tanizaki -No Fun Dunne & Kip Sabian Vs Kelly Sixx & El Phantasmo -Rob Lynch Vs Stixx -Chris Ridgeway Vs KENOH
A Documentary on the Making of Star Wars: The Empire Strikes Back.
Peaceful rise or potential threat: What does China's 21st century re-emergence as a great world power mean for the rest of us?
At the height of its power between the 9th and 15th centuries, Angkor was a resplendent city, considered the most extensive urban complex of the pre-industrial world. But by the late 16th century, the empire was in its death throes. The people of Angkor left not a single word explaining their kingdom's collapse. Come along on this giant screen adventure to unveil the mysteries behind this lost jewel of Cambodia!
Japan blossomed into its Renaissance at approximately the same time as Europe. Unlike the West, it flourished not through conquest and exploration, but by fierce and defiant isolation. And the man at the heart of this empire was Tokugawa Ieyasu, a warlord who ruled with absolute control. This period is explored through myriad voices-- the Shogun, the Samurai, the Geisha, the poet, the peasant and the Westerner who glimpsed into this secret world.
Silent B/W 16mm film depicting Thomas Cole's fourth stage of an empire - Destruction, before the final stage - Desolation. Macro shots of obsolete tools symbolize the end of the United States as a country of industrial manufacturing and production, leading to its role as a society based purely on consumption.
On the Attack is a DVD of live recordings and videos of Australian band, The Cat Empire.
When the Soviet troops entered Afghanistan in December 1979, Christophe de Ponfilly and Jérôme Bony made their first clandestine reportage in the Panjshir valley. "A valley against an empire" testifies to the beginning of the struggle of a young commander, Amah Shah Massoud.
Using footage rephotographed from the Hollywood spectacle Quo Vadis, this film is a densely layered montage on the themes of power, sexuality and aggression. Rather than a "deconstruction" of the film from which it is derived, its overall effect might better be described as "decomposition" or "derangement" of the original elements. Culled from a variety of recordings of spoken texts (including Rebecca of Sunnybrook Farm) and music (the Hary Janos Suite by Zoltan Kodaly), the soundtrack is edited in a manner that underscores the rhythm of the images, and alludes to the presence of unconscious associations with the story of the original film. The Emperor meets his demise through the agency (the voice) of a wicked Queen, whose lust for power is equalled only by her capacity for destruction.