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A TV Movie dedicated to one of the greatest Macedonian poets - Kočo Racin.
Kiroku boards with a Roman Catholic family and falls for the daughter Michiko. He ignores his feelings, joins a gang, gets in fights and, eventually, becomes involved with the radical Kita Ikki group.
an elegiac rumination on loss of memory. The filmmaker reflects on the experience of seeing his grandmother gradually lose her memory over time by weaving across archives and footages, utilizing the film as a medium for recollections even when they are at their most unsalvageable.
Ayako becomes the mistress of her boss so she can pay her father's debt and prevent him from going to prison for embezzlement.
In the past, it was bustling with coal mines, but due to the closure of the mine one after another, the city of Nupuka no Shiki in Hokkaido is currently suffering from depopulation. The mayor, Yamagata, is trying to revitalize the city by proceeding with the construction of the theme park "Tyrolean World" with capital participation from the Kanto Electric Railway in Tokyo.
Tateishi, the head of the engineering department of the Kanto Electric Railway, is assigned to Hokkaido, leaving his daughter Aki in Tokyo to be responsible for the construction and operation of Tyrolean World. There he meets Kikukawa, whom Tateishi had dissuaded from committing suicide in the past. Soon complicated triangle forms, beetwen Tateishi feeling responsible for Kikukawa, his wife and Kikukawa himself, trying run from the situation.
Fugitive Jack is doing everything in his power to evade both the police and gangsters. Assuming he’s in the clear, he moves in with Keiko, a pornstar whose early life in an abusive family still haunts her.
A formal critique of historical Chinese culture, arguing that developing a so-called "yellow civilization" based on the land and rivers has led to conservatism, ignorance and backwardness, and that China should develop a "blue civilization" based on the sea, while establishing a system based on the market economy.
Wataru Naohiko who has the prosecutor general as his father became a young composer and its symphony "saint" invoked the world echoed. But his disciple Uchiyama and his best friend prosecutor Daisuke Toki accused his music as a sesame of pause-only technique, not a truly heart-hungry art.
A cocaine deal is about to go down between yakuza and Hong Kong triad gangsters and a small time porn peddler is used as a mole by a dirty cop.
Witness the last days of the Beat poet whose works would capture the very essence of the 1960 counter-cultural movement in an informative documentary featuring Allan Ginsburg's final television interview as well as remarkable deathbed footage shot by underground cinema icon Jonas Mekas.
A 1988 documentary film directed by Alexander Sokurov, about the later life and death of Soviet Russian filmmaker Andrei Tarkovsky. The film was originally intended to mark the 50th birthday of Tarkovsky in 1982, which would have been before his death. Controversy with Soviet authorities about the film's style and content led to significant delays in the production.
A young woman with extreme hypersensitivity struggles to find ways to repress her outbursts of poetic monologue, in this coming of age story.
Deliberately structured and less beholden to its narrative, the film is told in three parts, with each part pertaining to each of the three visits of the time-travelling visitor from when the country was fighting for independence from Spain.
One day, Reiko, who is engaged, meets a young man named Kondo, and she likes him, although she has a fiancé. On top of this, Reiko, suffering between two men, learns from her father that she is the child of her deceased mother and uncle. In this ambitious work, Sayuri Yoshinaga takes on the role of a girl who loves two men at the same time. The latest work from the golden duo of director Katsumi Nishikawa and actress Sayuri Yoshinaga, who created many masterpieces such as “The Izu Dancer”.
This intimately narrated journey from Russia to Rotterdam, via rail, road and Finnish ferry, is a melancholy meditation on divinity, time and place in art, purpose (or its lack) and the loneliness of the soul. Passing through misty snowscapes, half-glimpsed cities and the icy night sea-swell.
From Boat People (1982) to Our Time Will Come (2017), from family struggles to anti-Japanese history, Venice Career Golden Lion-winning auteur Ann Hui finally films a topic she holds most dear – poetry. Through her personal encounters with some of Hong Kong’s most notable poets, Hui shows the topography of contemporary poetry on and of the city. Two poles of reality, the unrestrained Huang Canran and the cosmopolitan Liu Wai-tong, are juxtaposed to reveal two distinctively different personalities, ideals, and ways of life. Seeing the late Xi Xi recite her own poem about the old Kai Tak Airport is a deeply heart-warming moment.
Filip, a sophisticated university professor, goes with his wife to a spa on the coast. After a few of days spent in the comfy and monotonous ambiance of the hotel, their seemingly ideal marriage is over. Filip is left by his wife. Everything seems to indicate that his life is collapsing, but Filip, refined and armed with confidence, faces each new circumstance with unusual ease. Deep in the forest, a new fantasy world will break him down, but also give him a chance for a new beginning.
A surreal journey of a displaced spirit as he wanders in the interminable darkness through the temporal landscape of a quaint and isolated feudal-era fishing village. Guided by a series of faintly illuminated rooms, the wandering spirit comes upon ancient souls who take on physical forms as they recount their personal stories of daily existence, loss, and tragedy in the peasant community. Intrigued by his initial visit to a curiously distracted elderly woman, the spirit returns to her home in order to ask a fundamental question - "What is happiness?" - an existential query that is innocently answered with innate humility and accepted unknowingness.