El Sol Y La Luna

Romantic triangle on the hacienda.

In the dense Colombian jungle, eras jump, genders blur and fluids flow freely. The rubber trees, tapped for their viscous sap, take on another connotation of kink while a 15th century European Missionary tries to tame what is inherently savage. In the thicket of trees, all things are wild, animalistic and queer.

Filmmaker Victor Erice follows Spanish artist Antonio Lopez in his painstaking attempt to paint the image of a tree.

A famous singer and actor is at the peak of his career but fatigue, stress and harassment of the media makes feel unbalanced. His star began to fall rapidly and so goes into a clinic to cure his pain. Coming out, away from his audience, will spend some time at a house that is in the North, to the seashore. There he feels haunted by the story of characters who have lived in a nearby house, in one of which identifies his former secretary.

A young dreamer as attractive as dreamer see his shabby promised as a distinguished gentleman, fascinating and radiant. This, however, eventually reaching a grand illusion, become the public relations director of a large hotel on the Costa del Sol

Checo and Once are two difficult teenagers who live and survive in Buenos Aires after a nuclear explosion with which the film begins. It turns the world to ashes, bringing incomprehensible social changes. But for Checo and Once, who are used to an uncertain existence, not much changes in this post-apocalyptic world.

Facing the consequences of a violent uprooting, Mateo Sobode Chiqueno has been recording stories, songs, and testimonies of his Ayoreo people since the seventies. In an attempt to preserve fragments of a disappearing culture, Mateo walks across communities in the arid and desolate Paraguayan Chaco region, and registers on cassettes the experiences of other Ayoreo who, like him, were born in the vast forest, free and nomadic, without any contact with white civilization, until religious missionaries forced them to abandon their ancestral territory, their means of subsistence, their beliefs and their home.

An extract of myth in a tropical context. Exuberance and beauty are the surroundings. Two twin brothers, only six years old, portray a biblical story of fraternal envy that is still current today.

A bullfighter suffers an accident during an afternoon of bullfighting in a town square and his ex-lover tells his story.

An unfinished canvas apparently painted by Antonio López resists (does it?) the charges of weather and nature during a whole week. This week is shown four times from four different audiovisual perspectives which try to analyze the relationship between film author and landscape representation.

A brave man arrives in a lawless town, where people live in terror, to find the scoundrel guilty of the death of his brother.

During the winter solstice, a group of modern Mexicans gather to observe the sun emerging from the peak of the Popocatépetl. This cosmogeographic event served as a marker in the horizon calendar, an ancient technology to keep track of time.

Han closes a trilogy that began with Ere erera baleibu... (1968) and continued with Impressions en haute atmosphère (1991), which goes from the microcosm of atoms (Ere Erera) to the macrocosm of cosmic galaxies. After an "informal" abstraction obtained through the projection of fine particles on a transparent film tape from which all notion of form is shunned, the artist reintroduced in his following movies simple shapes, circles and spirals, coils, reproduced according to the most traditional technique of movement decomposition (animation cinema), which "channels" Brownian motion of matter.

The Sun rises and greets Clea, a sleeping beauty, a goddess, the spirit of the earth, but she is frightened and flees, pursued by the mighty star, infatuated with her.

A paltry pension is the scenario in which love is forged between a mysterious woman and a frustrated writer. Based on the comedy "The poor things" by Alfonso Paso.

Concert film documenting the foundational stage of the Argentine 'rock nacional' movement. It was filmed during the third edition of the historic B.A. Rock rock festival, which took place in 1972 at the Argentinos Juniors stadium.

A little boy is kidnapped outside his neighborhood. Her mother decides to seek for him while authorities disregard her case.