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En el Nombre de la Hija tells the story of a nine-year old girl whose name is in dispute. Manuela has been named alter her socialist-atheist father, but her catholic-conservative grandmother insists she should carry the name the first daughters of the family have carried for generations: Dolores. The story takes place in a Valley in the Ecuadorian Andes, during the summer of 1976. Manuela and her little brother, Camilo, are spending vacations with their cousins and grandparents at the family's farmhouse. Eager to defend her father's ideas, Manuela confronts her cousins and grandparents, but an unexpected encounter leads her to confront herself instead. Hidden in the family's abandoned library, schizophrenic uncle Felipe is devoted to setting words free from the constraints of dogmas. His wisdom sets Manuela free from her own dogmas and forever changes her relationship with words, including her own name.
A botanical expedition in Ecuador's Amazon becomes a medium for an indigenous Huaorani community to remember the genocidal colonization it suffered in the 1960s. Meanwhile, a group of ecologists from the capital tries to stop oil exploitation in the last remaining forests where the isolated Huaoranis still live, who to this day refuse to come into contact with civilization.
The incestuous relationship between Bobby, a doll repairer confused about his sexual identity and his overprotecting mother that abuses him while she, in turn, seeks to relive the days of her youth. They bathe together, sleep together and engage in sexual intercourse as well. In turn, she is jealous of his suggestive relationship with his customers, mostly little girls.
It is a documentary about the struggle of the original communities of northern Argentina to prevent their salt flats, where one of the largest lithium reserves in the world are found, from becoming a “sacrifice zone” to reduce global warming.
Documentary Short
Three teenagers in a loving relationship are united by the same secret. Through the stories of the people from the town where they live, we begin to learn more about these young people and their secret, which seems to be getting bigger and bigger.
Told in a whisper, this quiet and diaristic film explores toxic masculinity through personal narrative, family legacy, and video games. El nombre de las cosas speaks aloud the unspoken and unspeakable, to give a name to traumas in order to heal them. Deeply poetic and disarmingly honest, director Diego Escobar uses his own story to address a widespread problem of inherited male aggression and all the ways families – and society – cope with and adapt to its toxicity.
In a dreamlike Buenos Aires, Gay crusing is assimilated to vampire culture.
A woman very dedicated to God has a daughter, which forces her to pray at all times, but she does not think like her mother, and has another way to do it. She worships the devil and is owned by him!
Long hair would look good on him, but so would a moustache. This summer by the sea, the trans boy Lucho knows that there is a lot in him that is difficult to share with others.
Migrant families experience violence, but they also keep beautiful memories when they arrive in new lands. Fantastic and intimate stories, recalled from childhood, travel across time and space, magically intermingling with the help of the four elements and breaking the boundaries of cinema.
