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This documentary recounts the saga of Lourdes Benavides and her family’s many attempts to cure her of her lesbian desires as a teenager. Queering the archive through found footage, first person accounts and extensive research into Chicago-Read Mental Health Center, this intimate and experimental documentary uncovers the deeply personal story of Lulu’s struggles with her identity after migrating from Mexico City to Chicago’s westside during the 1970s. From intersecting histories of institutional racism, homophobia and sexism comes the voice of a tenacious Latina and her queer son’s journey to retrace his mother’s steps and treatment across a city.
Jardín en el Mar is the story of an exceptional project. Several years ago, a group of enthusiastic and committed people started to work for the protection of the Islands in the Sea of Cortez in Baja California Sur, Mexico. Thanks to this effort all the Islands became a UNESCO world heritage side, but the story of Espíritu Santo island is especially remarkable. It was bought back from different owners and donated to the people of Mexico for its conservation in perpetuity. To celebrate the success of all the efforts and to remind people of our close relation to the ocean, renowned Spanish artist Cristina Iglesias was asked to make a piece of art for the Island. Cristina decided to create a "Garden in the Sea", a labyrinth-like setting of various screens sunk into the sea, that nature will grow over, generating marine life.
Dead of night in a residential area. The crickets' chirping is interrupted by a strange presence, a slithering creature lurking in the darkness. An extraordinary interplay of light and shadow and a prodigious sound design in a short film full of sheer horror.
Dreams and reality fuse in the life of a painter, Raul, who after suffering a fall that almost kills him, decides to reestablish his relationship with a daughter he hasn´t seen in ten years.
Aristocratic family in decline, ascendency of a new moneyed class.
Filmed in India, it consists of five episodes. One, on transsexualism, including the sacrifice of a boy in a village inhabited by women; the next speaks of a white slave which the protagonist takes the money saved to buy a camel; the third refers to the adventure of an alchemist whose quest is not gold but eternity. The fourth deals with a caravan of life and in the fifth descends to hell with a colorful unleashed furies and other beings from the Greek tradition.
An American's couple who live peaceful and quiet in their summer house in Cuernavaca, Mexico, see how their peace and security is broken when a band of delinquents break inside their home violently with the only purpose of extortion.
Mexican feature film
A particular vision of an alcoholic when he sees that his partner leaves with another and his demons surface.
The story of Aphrodite from her birth and her relationship with the other gods of Greek mythology.
In the garden of delights, a visitor from the underworld discovers that color and madness will be the ingredients to create his own universe.
Nazario, founder of the Spanish underground comics movement and pioneer of the gay graphic novel, looks back on his eventful life, his flamboyant and explicit works. 16mm films, photos, illustrations and paintings document the spirit of departure of a counter culture, but also recount Nazario’s great love for Alejandro with whom he was together until the latter’s death. Profession and passion merge in this artist.
A devil discovers the gift of creation mixing animals with surprising results. In his quest to transform all, he realizes that one has eluded him, he will fall prey to its charm.
The title Un enano en el jardin is an allusion to the Super 8 format and the setting where the actions that comprise the film unfold. A catalogue of extreme experiments with the mobility of the camera coordinated with brief improvisations by the Brazilian dancer Alice Bloch. It was mostly filmed with an Instamatic m22 camera (possibly the simplest and lightest Super 8 camera, with a fixed lens and manual diaphragm), so resistant that it functioned in conditions that would be unthinkable with a more complex camera, rotating at high speed around the optical axis or tied to a 35mm reel rewinder.
A ship carrying Conquistadors is wrecked and the survivors are thrown ashore to struggle through the Yucatan jungle.
