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This series examines the events leading up the brutal murder of Dominican activist Minerva Mirabal and her two activist sisters, on the orders of dictator Rafael Leónidas Trujillo. The heinous crime would set in motion not only the end of a vicious regime, but also come to mark the global fight against gender-based violence.
A cowboy and his sidekick meet a ranching family that is haunted by spirits and vampires.
After a long exile, Gabriela returns to her family’s land to care for her ailing father and make peace with her painful past. Upon her return, she is faced with Diego, the reason why she left, and the new owner of the land.
In the summer of revolt 1968, student Leobardo López Aretche captured the protests in Mexico City, and the state’s brutal response, up close – and like many of his subjects and fellow comrades, would pay a high price for his audacity. Fifty years later, his movie is no longer a secret.
TV host Miranda Vega heads a variety talk-show format. Confronted with plummeting ratings, she is forced to try a different approach that brings singing hookers, drug addicts, and other no-talents into the studio. Miranda feuds with lesbian actress Marta Pena, prompting Marta's companion Soraya, a "karate artiste," to participate in the variety show. Chaos reigns when the show goes on the air live.
Estela Duarte is divorcing her cheating husband, has moved her two children in with her mom, and has taken the only writing job she can find - as a reporter for the tabloid, El Grito. She covers a series of grisly murders and mutilations of well-dressed women, each of whom turns out to be a mistress of rich men, including her father-in-law. She sees patterns and shares them with Ibarra, the cop in charge of the investigations. Her editor gives her professional support, her friend Laura gives her emotional support, and her mother helps her guess when the next murder will occur. But will all this be enough to protect Estela and Laura from danger?
Somewhere in the interior of Argentina, popular belief holds that when a man dies a victim of betrayal, he must be avenged by his firstborn.
“Entre el grito y la celda” is a film adaptation of the theatrical monologue “Lolita", which has been performed locally and internationally for the past 11 years, with over 60 performances in 5 countries, 5 states in North America, and more than 40 municipalities in Puerto Rico. The story is set in late 1954, when political prisoner Lolita Lebrón had already been sentenced to 50 years in prison at the federal prison in Alderson, West Virginia, for leading an attack on the United States Congress. The film explores Lolita's life and patriotic thoughts through poetic language, intertwining her three most significant aspects: her fervent religiosity, her fight for justice from the perspective of a young woman and mother, and her patriotic bravery to risk her freedom for causes and values she firmly believed in. The movie highlights the themes of national identity and the struggles of a resilient woman who became, for many, the Mother of the Puerto Rican Nation.
Short film directed by Wallis Torres López in 2016, starring Ericka Colón and Omar Cruz.
El Grito Sagrado (The Silent Call) is a fictionalized retelling of Argentina's fight for independence from Spain. The story is "personalized" by being related through the eyes of Mariquita Sanchez de Thompson y Mendeville, played by popular Latin American leading lady Fanny Navarro. Rebelling against the cozy traditionalism of her family, Mariquita weds tireless patriot Martin Thompson (Carlos Cores). She remains by her husband's side as he helps to fend off a British invasion and to achieve freedom for the Argentine slave population. Oddly, the principal villains in the film are the British, a reflection perhaps of Argentine dictator Juan Peron's ongoing efforts to curry favor with Spain.
THE CRY OF THE SUQUÍA RIVER is a documentary that runs through the Suquía River, a river that is part of the identity of the city of córdoba, in argentina. We decided to embark on a boat trip crossing a 32 km path that allows us at each stop, to connect with life experiences on various socio-environmental realities.
The castrating mother confronts the young woman who is going to marry her youngest son.
Something is very wrong with the smartly dressed woman in the cornfield. No sooner has she made her way out of the thicket than a fateful encounter with a farmer and his son takes its course. Something ominous controls the young woman's body and wants to get out. It wants to escape through her lips. And it wants to find new victims.