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After an extended period directing original screenplays, dos Santos returned to the creative engagement with literature that was the wellspring of his early masterpieces, offering a combinatory adaptation of five stories by the renowned Brazilian novelist João Guimarães Rosa. Openly embracing a mode of magical realism, dos Santos' celebrated film tells the story of a farming family defined by the absence of its father who abruptly abandoned his wife and children, sailing away down the river, including his son who continues to communicate with his father, speaking daily to him from the river bank. While offering an evocative vision of rural Brazil as a timeless land of mystery and solemnity, The Third Bank of the River is also bitingly satiric in the remarkable depiction of religious belief when the family moves to the city and its youngest member, a mesmerizing little girl, is revealed to be a kind of saint, capable of miraculous acts. -Harvard Film Archive
When the flowers of the Mari tree bloom, dreams arise. The words of a great shaman lead to an oneiric experience through the synergy between cinema and the Yanomami dream, presenting poetics and teachings of the peoples of the forest.
Considered as the first Portuguese animated film, it shows António Maria da Silva, at the time the President of the Ministery of the 1st Republic of Portugal, who is returning home after another day's work. Of this silent movie, a digital reconstitution was made in 2006, from the original drawings, accompanied by an improvised piano score by maestro António Victorino d'Almeida.
On a visit to the interior of Piauí, Paula is kidnapped by a maniacal ex-boyfriend. In captivity, she meets Joaquim, a good man who made wrong choices in life. Feeling a mix of despair and faith, Paula decides to evangelize him while awaiting rescue.
Narrator Laverne Cox takes us on an animated journey through trans history and resistance.