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Commissioned to make a working-class family drama for public television, up-and-coming director Rainer Werner Fassbinder took the assignment and ran, dodging expectations by depicting social realities in West Germany from a critical—yet far from cynical—perspective. Over the course of five episodes, the sprawling story tracks the everyday triumphs and travails of the young toolmaker Jochen and many of the people populating his world, including the woman he loves, his eccentric family, and his fellow workers, with whom he bands together to improve conditions on the factory floor.
Carlo Cofield vacations to Southern California, where he quickly becomes immersed in the easy-going local culture, getting entangled in two beachside romances.
A terminally ill man and his teenage daughter embark on a road trip from California to New Orleans for his 20th college reunion. While there, he secretly hopes she can reunite with the mother who left them long ago.
Lazar, a bounty killer, teams up with a young gunfighter to blackmail Barrett, a former bandit and mine owner. At the end of the day, the bounty hunter clashes with Barrett, but something goes wrong.
Twelve short stories about racism in every day life.
Makenko used to be a normal boy—until he was kidnapped by the brain monster Dr. Mud and transformed into a cyborg capable of destroying both the monster and human worlds! On his quest for vengeance, he is inadvertently joined by Makendo, a fellow monster hunter who would prefer not to be, and her little sister Hikari who would like nothing better! Dastardly demons and wacky monsters abound as the trio fight the bad guys to kick some monster butt, and get Makenko's body back!
A film by Tim Wes
For little money, a used kitchen worktop changes its owner and environment. Starting at the older, refurbished middle-class buildings of Prenzlauer Berg, going past the hip ice cream parlours with tussled Hawaiian sunshades, a boy and a woman in her twenties are carrying the newly purchased and slightly dilapidated worktop to the fringes of Berlin. The high summer midday heat makes the sweat roll into their eyes and the noise of the construction sites swallows the last speech fragments as the lines of cars pushes them into ever smaller corridors. Three Trees Don’t Make a Forest subtly describes a classist and neoliberal city architecture which develops a centrifugal force that inevitably pushes the precariously living inhabitants to the outside.
The story of the iconic singer's fascinating six-decade career in both music and Black and LGBTQ activism.
It has hardly been seen before that a 83-year-old actor has starred in a Danish film, but it is the case here, where Kai Holm says goodbye to a long life in film and theater service. He plays an old peasant who on his deathbed is waiting for his son (Jon Bang Carlsen). In a few days he relives the village life, he comes from, and which was marked by a hard and authoritarian upbringing. He is at his father's deathbed despair because it is still impossible to make contact, and in a crisis situation, he recognizes his father's brutality in itself. The film draws a bitter picture of human relationships where dreams while they die, degenerates into power relations.
Jo Koy details life with his Filipino mom, the advantages of dancing like Michael Jackson and the strangeness of touring the South as an Asian American.
From 1953 to 1969, Don Glut made amateur movies. Shot on 16mm, these films became "legendary" throughout the world.
Does time exist when nothing changes? That is the question for the picturesque Village of Rockwell, where time has frozen. Nobody gets sick; nobody ages, and nobody dies due to a tragic bus crash that took the lives of the 1977 undefeated Rockwell High School Basketball Team.
Theatrical packaging of three comic shorts: Dean Parisot & Steven Wright's comedy "The Appointments of Dennis Jennings" (1988), Michael Moore's documentary "Pets or Meat" (1992), and Mike Leigh & Jim Broadbent's satirical mockumentary "A Sense of History" (1992).
Documentary about the making of Rainer Werner Fassbinder's 1972 German television series EIGHT HOURS DON'T MAKE A DAY, featuring interviews with actors Hanna Schygulla, Irm Hermann, Wolfgang Schenck, and Hans Hirschmüller.
A group of young adults are traveling to an 80s themed party. The fun takes a terrifying turn when they are faced with death itself.
Matilda and Robert Torres navigate homeless life on the streets of Southern California.
A compilation of extracts from Children's Film Foundation productions: "The Rescue Squad", "Ali and the Camel", "The Salvage Gang", "Go Kart Go", "Danny the dragon", "A ghost of a chance" and "Peewee's pianola" (ep. from "The magnificent 6 1/2".