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Isolating from her COVID+ partner, in a tiny home, an urbanite is stalked by an intruder she cannot see.

Jeremy Clarkson presents humorous clips of vintage public service films and gives his commentary on them.

Della Regal (Amelia Favata) avoids emotional entanglements as she deals with her job at the park program and her turbulent home-life with a huge dose of sarcasm. When her best friends meet, fun-loving, flashy Gwen Stanley (Erin Stamp) falls hard and fast for the passionate,impetuous Kyle Montgomery (Adam S. Dixson). The introduction of beautiful yet insecure Allison, (Casey Litzenberger) creates a love triangle which becomes a square with the addition of Della's eccentric new friend Jeff (Eric Witkowski). Della is caught in the middle as her friends fall in and out of love and is forced to come to terms with her own feelings for the men in her life.

When Kody, an overzealous volunteer worker, travels to Ghana to save the world, he falls for his Ghanaian next door neighbor, Kofi, and brainlessly 'outs' him to his community. They must decide whether to cover up the mess they've found themselves in or buck up and follow through with coming out as a couple. We Don't Have Gays in Ghana is a cooky, irreverent comedy with heart that uses humor to tackle the issues of intercultural relationships, Western preconceived notions about Africa, and the effects of hyper-religious viewpoints toward queer people in Africa.

A couple gets down in the woods while an axe maniac lurks in wait.

Wild Women Don't Have the Blues shows how the blues were born out of the economic and social transformation of African American life early in this century. It recaptures the lives and times of Ma Rainey, Bessie Smith, Ida Cox, Alberta Hunter, Ethel Waters and the other legendary women who made the blues a vital part of American culture. The film brings together for the first time dozens of rare, classic renditions of the early blues.

Fin, a jaded musician, has been invited to his old high school to talk to the students about pursuing their dreams… which begs the question, is he really living his?

A young Black girl navigates family, romance, and emerging adulthood in a segregated California as captured through home footage of Ernest Beane, a Pullman Porter.

A real-life comedy about a filmmaker who takes a road trip to Las Vegas -- with his real-life father and 16-year-old half-brother, plus a crew of two -- in the hopes of proving the existence of God.

Layla fights daily against urges and compulsions, until challenged to face her darkest fears

In the film "You Don't Need Feet to Dance," African immigrant Sidiki Conde, having lost the use of his legs to polio at fourteen, balances his career as a performing artist with the almost insurmountable obstacles of life in New York City, from his fifth-floor walk up apartment in the East village, down the stairs with his hands and navigating in his wheelchair through Manhattan onto buses and into the subway. Sidiki struggles to cope with his disability and to earn a decent living, but he still manages to teach workshops for disabled kids, busk on the street, rehearse with his musical group, bicycle with his hands, and prepare for a baby naming ceremony, where he plays djembe drums, sings, and dances on his hands.

About the endless torment experienced by a young woman dealing with an eating disorder. As she tries to cope with obsessive tendencies and routines, Ghillie, a looming swamp monster, follows close behind.

This 16 minute video provides for you an opportunity to share with children important messages about fire safety.

Two well meaning spinsters' plans in reforming an old jailbird, receive a set back, when unexpectedly into their possession comes a substantial amount of money, which was not made by the Royal Mint.

„Where do I come from? Who am I?“ In a box brimming with countless letters and postcards, Walo Deuber one day finds the only remaining memories of his scarcely known and long forgotten father, Emil. His parents’ marriage fell apart when Walo was still a young boy in the 50s and his father decided to move to South Africa. Sixty years later, Walo decides to trace his father’s footsteps, setting off on an uncertain adventure that leads him from Namibia to Zambia. He uses a first person narrative to create his own account of this hardly known yet increasingly important person. GIRAFFEN MACHEN ES NICHT ANDERS is a film about the glue which, above and beyond genetics, holds humans together.

One house, ten patients, forty employees and death. In the Hospice of Central Switzerland, exceptional situations meet everyday life, spirituality meets rationality and individualism meets institutional mechanisms. The film gently encounters an uncomplicated and intimate approach to dying.

They open the doors and lean out: their whistles travel the rails across the town. The dogs get up. The children put out their cigarettes. They have arrived, and now, all is still.

A short web-drama

Documentary that retraces Isabelle Adjani's life and career.