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Exploring the struggles of peer coersion amongst young people, a young woman is encouraged by her friends to make a decision out of pressure and fear.

"At First They Don't Believe" documents the stories and experiences of two women who survived the regime, Sieng Chantei and Leay Kimchhean, as they navigate and confront these challenges. The film highlights the different ways that they have made their experiences of the regime meaningful. Building on the work of Changing the Story in Cambodia, and by learning from and with the innovative work of Cambodian civil society organisations, the film illustrates the importance of young people learning about and acknowledging the stories of survivors.

A group of friends take an ill-fated dip in a creature infested lake.

Artist Lydia Ricci’s amazing miniatures of vintage appliances and discarded objects made from scrap materials are celebrated in this delightful tribute to the mundane.

They Shoot Movies, Don't They? is a voyeuristic look at first time director Tom Paulson and the movie he wrote called Mirage. Frank Gallagher is the documentarian whose camera waits and watches as Paulson navigates through a jungle of investors, colleagues, friends and family, searching for money to finish his film. They Shoot Movies, Don't They? offers a line-blurring examination of what one might give up, in order to succeed.

An homage to our sex organs! Three beautiful performers let us up very close and personal to see and admire - the dick, the cunt and the asshole. Three of life's greatest treasures, no?

Composed entirely of phone video, the film is a travelogue of time spent in Kansas City, MO and Denver, CO, in 2016. As with his singular "flash memoir" writing technique (see "Sparse Black Whimsy: A Memoir") msw's filmmaking invites the viewer into intimate, unexpected fragments of friendship and music, redefining the memoir in the process.

A bearded man with a backpack gets on an airplane and a beardless man without a backpack simply does what a man has to do.

The son of the beloved female vocalist in the popular doo-wop group, The Skyliners, confronts his estranged father for the truth about her suicide.

An ex-pro football player works various blue collar odd jobs in order to survive in New York City and will do whatever it takes once he gets an interview for an entry level office job at a law firm.

Tired of underworld and overworld alike, Isis escorts her favorite son on their final curtain call down the Nile, leaving a neon wake of shattered tombs and sparkling sarcophagi.

Documentary in which singer Alesha Dixon, concerned about the increasing pressure on women to conform to an ideal body type, investigates the practice of airbrushing and retouching that has become a staple of magazine photos. Keen to discover whether these images simply celebrate the female form or whether they make harmful, unrealistic demands on women and society, her journey sees her sitting in on 18-year-old Ellie's boob job, hearing fashion mag insider Liz Jones and celeb mate Cheryl Cole complain about the beauty industry and appearing on a front cover with her own body beautiful untouched.

"Don't Blame Me" is John 'Ozzy' Osbourne's personal, gripping and frank invitation to see who he really is and what he's really been through. Filmed on location at his British and American homes, Ozzy reveals the truth behind his then 23 years of solo stardom with unnerving honesty.

Just the best bits from over a decade in comedy. All killer no filler. Guaranteed laughs.

Conservative Political Commentator Dave Rubin's very first stand up comedy special.

Funny Girls show-stopping number redone on stop-motion animation with Vintage Barbies.

Three unemployed actors try to make money be doing stand up comedy.

This is a story about 2 brothers, Jaiye and Juwon Kuti. Their relationship becomes estranged when the younger brother Juwon dropped out of school to pursue a music career. The story revolves around their conflicting lifestyles and the challenges between being highly educated but poor and less educated but very rich.

Don’t Look at the Finger follows a ceremonial ‘fight’ between two protagonists, a man and a woman, in the grand architectural setting of a church. The way the characters communicate is a feat of choreography that combines Kung Fu with signed languages to express a ritualistic coming together.