Doing It Right Democracy In The Pacific, Streaming avec sous-titres en Français, doing it right || Regardez tout le film sans limitation, diffusez en streaming en qualité.
Lazare is an awkward soccer player. To tell the truth, he doesn’t know how to play at all, but maybe the beauty’s in the improv.
Covers the Compact of Free Association, hearings at the United Nations and the US Congress, US military interests, nuclear free zones, the IPSECO power plant scandal, and the suicide of Palauan President Lazarus Salii. Seen from the point of view of the Palauans' struggle for a democratic and fair solution to these political difficulties.
Nassim, a 16-year-old boy, is placed with a family in the suburbs following the death of his drug addict mother. But he refuses to integrate into the social setting that surrounds him. He invents another life for himself, similar to that of his mates at the big Parisian high school he goes to. There’s no reason for that to change. His two lives, his home life and his school life, must be kept separate at all costs.
He already has 101 fraudulent methods but now he plans to break into the building of a high-ranking civil servant...
Ivan's cat suddenly dies - that is the only thing that connected him with his ex-wife, the separation from which he still cannot survive. He cannot bury the cat: there is no money, and winter is raging on the street. His best friend Pasha comes to his aid, and he intends to arrange a funeral at all costs.
A portrait of a woman’s life between 1915 and 1975. In Jutta Brückner’s documentary, her mother looks back at the 60 years of her life, talking about her father’s early accidental death, the constraints faced by a lower middle-class family of five, her training as a seamstress, marriage to a bookkeeper committed to social democratic ideals, the privations of war, and not least of all, her later realisation that fear may have caused her to miss opportunities … An ingenious collage of picture and sound accompanies the mother’s narrative, a tapestry of proverbs, pop songs, marching music, and the noise of war. Hundreds of photographs – most selected from August Sander’s (1876–1964) project “People of the 20th Century”, alongside newer photos by Abisag Tüllmann, among others – lend the individual vita of the director’s mother a kind of ontological validity. Images of labourers and office workers, excursions and marches, imbue what we hear with references that transcend the personal.
