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Katharina Gruzei combines a sociopolitical issue and a precise formal concept, which is rare in experimental film. Inspired by the Lumière brothers’ first film, La sortie de l’usine Lumière à Lyon, which shows a large number of workers leaving their factory’s gate, Gruzei begins in the interior, in a passageway (made to seem incredibly long by the editing) that emerges from the darkness. Solely portions of the corridor — a production line at the closed Austria Tabak factory — flash into view in the buzzing neon light. The impressive sound and choreography of light were taken from an installation by the artist in the empty spaces.
