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Shots of pre-war Rotterdam, both the city and the port.
In the poverty-stricken favelas of Rio de Janeiro in the 1970s, two young men choose different paths. Rocket is a budding photographer who documents the increasing drug-related violence of his neighborhood, while José “Zé” Pequeno is an ambitious drug dealer diving into a dangerous life of crime.
A scientist in a surrealist society kidnaps children to steal their dreams, hoping that they slow his aging process.
September 1943. After Italy surrenders to the Allies, most people in Naples believe the war is finally over, but soon realize Germans are still in control—and as ruthless as ever. Armed with makeshift weapons, the Neapolitan civilians spontaneously rise up en masse against their occupants—and overwhelming odds, driving them from the city after four days of fighting.
City of God – 10 Years Later investigates what happened to the actors who took part in the award-winning film directed by Fernando Meirelles and Katia Lund. This documentary shows what City of God’s worldwide success meant to their lives. Were the actors prepared for the film’s success? Did the social background of some of them prove stronger than the opportunity that came their way?
A cabaret performer tries to protect her daughter from a mysterious killer while resisting the advances of the prosecutor pursuing the criminal.
The story of a family embroiled in the "White Terror", mainland China's political repression that was wrought on the Taiwanese people by the Kuomintang government in the late 1940s.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
A young girl comes to prison and experiences the entire prison subculture. The inmates she befriends vary from big tough dangerous dames to smaller submissive ladies who are totally lost in prison life.
