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This film takes a dive into a photographic archive that portrays the 1968 student movement in Mexico. By reviewing over 1300 photographs of students, soldiers and citizens, and the development of a movement inside the Mexican capital, marked by the massive uprisings and the government's repression, the film questions the relationship between memory, power and representation.
It became world news in October 2019 when economic reforms in Ecuador led to gas prices suddenly shooting up by 123 percent. People from urban and indigenous communities united in protest. In The Rebellion of Memory we follow the events through their eyes, as the country’s capital, Quito, descends into smoke-filled chaos.
What is memory made of? Stories, memories, fictions, images and sounds clinging to our skin .... The memory of an ear is a music-visual reflection inspired by Paul Ricoer and Leonor Arfuch’s approaches on memory. The texts narrated by the author are a personal reflection on the relationship between memory and sound.
Franco’s dictatorship, one of the longest and most violent dictatorial regimes in the history of the 20th century, has been kept silent by Spain since the transition and the recovery of democracy. In December 2007 following the approval of the controversial Historical Memory Law, whereby the Spanish government finally intends to lift the veil over this dark period, and thus do justice to the hundreds of thousands of victims of Francoism. From this starting point, the filmmaker José-Luis Peñafuerte (grandson of exiles) takes us on an authentic film journey through the roots of that hidden European memory, in order to open a window against oblivion.
Once the commercial exploitation of the resources existing in the American provinces of the Hispanic Monarchy began, hundreds of Africans were enslaved. Those who remained in Spain ended up forming a community that, over time, managed to gain a small space in society. Music and dance helped to strengthen their identity.
Documentary about the Mexican writer José Revueltas, imprisoned in the Lecumberri prison after the end of the 1968 student-popular movement.
After the death of his father, Eduardo Crespo embarks on a journey to film a movie as they would have done together. A film about Crespo, the town where they come from, poultry farming, and the relationship the father and son used to have. Now that the main character is no longer there, the film travels around the same places. Trying to put together, through the town collective memories and a personal memory, in order to reconstruct from all these details, the figure of that father who is not there anymore.
Biography of Vicente García Riestra, an Asturian survivor of the Buchenwald concentration camp. The documentary covers the flight to France together with thousands of Spaniards, their entry into the Resistance, their arrest and deportation to Bunchenwald, the Resistance inside the camp and the solidarity networks woven by the prisoners, until they regain their freedom. After the liberation of Europe, Vicente's life did not stop: he dedicated himself to visiting schools to warn young people about the dangers of intolerance.
In 1985, a containment embankment gave way causing the flooding of the tourist village Epecuén. It remained submerged until a few years ago, but a climate cycle of intense drought exposed the remains of a ghost town. In the fantasies of each protagonist, a common thread is being developed; they relate their own experiences and feelings that arise from what happened. In his illusions there is a look to the future. They maintain the hope that not everything has been lost and that Epecuén will resurface.
Freddy, a man with Diogenes’ disease, lives in his mother’s house, Rosa, who, in turn, suffers from acute senile dementia. In this place, Freddy has created a chaotic and hermetic world, which will be shaken after his daughter, Camila, visits him after five years without seeing each other.
Documentary directed by Freddy Más, creator of the film Dawn of a Dream, which treats Alzheimer's disease from different points of view: patients, relatives, scientists, pedagogues. The documentary not only reflects the experience and testimony of the different affected.
Iosif Demian returns forty years later to Rosia Montana, the place where two memorable films of the Romanian cinema have been shot: "Nunta de piatra" and "Duhul aurului" for which he signed the cinematography.
In the mid-1980s, peace initiatives between the Colombian government and the guerrilla group, FARC, led the latter to disband after two decades of fighting and establish a legal-political party, the Union Patriótica (Patriotic Union). As the UP met with some successs in local elections, it became a target of right-wing death squads and paramilitaries. So far, 3,000 UP members have been murdered or have disappeared, making it a case of political genocide unparalleled in the world. The documentary "The Red Dance" views, through the memories of survivors and relatives of victims, this period of terror and assassination. While FARC has reverted to war, a petition is pending before the Inter-American Commission on Human Rights (IACHR) regarding human rights violations by the State of Colombia.
Documentary about the "cárcel vieja" of Murcia