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Robert Lepage’s dreamlike production, with its thousands of twinkling LED lights stretching across the stage to represent the sea, encapsulates the mystic feeling of L’Amour de Loin, Saariaho’s haunting opera of distant love. Eric Owens is Jaufré Rudel, a troubadour in 12th century France who has become tired of his hedonistic life and longs for an idealized love. Enter the Pilgrim (Tamara Mumford) who tells him his perfect love does, in fact, exist, far across the sea. She is Clémence, Countess of Tripoli (Susanna Phillips). The magic of the characters’ inner lives as they explore the meaning of love, longing, life, and death is heightened by Saariaho’s hypnotic and bewitching score, conducted by Susanna Mälkki.
Julie would have given up all her dreams if she had listened to the doctors, her parents and others: the disease was threatening to suffocate her lungs. But the sixteen year old did as she pleased, devouring life to the fullest. Madly in love with her first flirt of the same age, she falls pregnant with him and decides to keep the baby. She hides her pregnancy from her parents, from the doctors, and come what may. Julie has defied the adult world, armed with a conviction in the form of a lesson for all: it is because life can be short that it must be intense.
Catilina, the son of a former career soldier, now the owner of a supermarket, decides to pretend he's the boss to win over Marcus, a young employee who has just started working there. But Marcus's apparent naivety will reveal a manipulative ambition that will humiliate Catilina and push him to parricide to save his honor in the eyes of the supermarket staff.
Documentary about Polish-American pianist, Arthur Rubinstein.
A woman sweeps the floor, then hands the broom to a man: he sweeps a bit, and hands it back to her. In this film, named after Vasari’s biography of Giorgione, man and woman reenact Manet and Titian, switch places, and in so doing, exchange their nudity and the gaze that seeks it. In voiceover, a woman reads a letter telling of her efforts to sign up her daughter in daycare ; other kafkaesque situations follow, drawing wth humour the picture of a life of submission to an absurd administrative power. In the frame, birds and their choreographies echo the wanderings of the two characters in the Camargue countryside. (Nathan Letoré)
Pascal Lamorisse is the son of filmmaker Albert Lamorisse. He is also the little hero of some of his father's films (White Mane, The Red Balloon and Stowaway in the Sky). Over the years, Albert Lamorisse, who took his son on all his shoots, sought to transmit his expertise and his passion for filmmaking, even on his last film, The Lover's Wind. There is something in the story of Pascal Lamorisse that touches on a fabulous story: it is the story of the transmission of cinema from father to child.
An unseen photographer works hard to create perfect images of marital bliss. Yet the events beyond the edges of the frame tell a very different story.
Robert Fischer’s CINEMA REDEFINED: JACQUES RIVETTE’S L’AMOUR FOU REVISITED features new interviews with star Jean-Pierre Kalfon; writer/director and Rivette collaborator Pascal Bonitzer; Rivette biographer Antoine de Baecque; critic/historian Sylvie Pierre; and archival footage of Jacques Rivette
A love story between two women during the first lockdown because of corona in Vienna. They only talk with their phones to each other. Then their daughter Anna gets into trouble. But at least it seems so, that it could be a happy end.
“In 1992 I bought a small mini-DV camera to film my diary and fix my memories, which have become “transparent” due to my nomadic life. When I returned to my village, I learned that an attempt had been made to poison my great aunt Yasmina. I went to visit her and that's how I started this movie without knowing it. Very quickly I was caught up in Yasmina's oral novel and its great secret. I was working at the time, in Europe, on my exhibition "The 60 Names of Love". My life was divided between two exiles, here and there, between the Gregorian calendar and the Hegira calendar, between the drama of Yasmina and my journey to the heart of the Arabic language and The 60 Names of love.” Nacer Khemir
Viola Léger. The 86-year-old actress is famous for her performance of La Sagouine, a character of Antonine Maillet, whom she has lived for more than 45 years. As a tribute to this exceptional career, we invite you to watch the newly released Simpson Viola by Rodolphe Caron for free on NFB.ca. In this touching and intimate work shot last year, the filmmaker immortalizes the daily life of Viola, at 85 years old, while she was preparing - again and again! - for new shows.
Documentary on Max Ophüls and the making of Madame de...
The year is 1817. Minon, a five-year-old girl, leaves her aunt Therese of Brunswick, who has raised her like a mother since her birth, to go and live with her parents, the Count and Countess von Stakelberg. One day, Gabrielle, her housekeeper, who is no longer in her right mind, reveals that her real father is the composer Ludwig van Beethoven. Twenty years later, still intrigued by this confession, Minon decides to unravel the mystery of her origins. She returns to the place of her early childhood, hoping to find the truth with her aunt, who was for years the faithful friend of the great composer.
Next short film by Samuel de Almeida Tenório.
