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The misadventures of a beautiful but bored housewife Wang Yui-chuan and her chauvinistic salary-man husband Chang Wei-min reaches madcap proportions upon his denying her the opportunity to work outside the home. With calculating smarts, Wang takes action with the help of her scheming neighbors Lily and her mother Mrs. Hsu to change her identity and land a situation in her husband's firm where she successfully advances within the ranks in direct competition with Chang for promotion. A madcap comedy of errors ensue.
Caroline de Bienre, the 16-year-old daughter of French nobility, meets the handsome rogue, Gaston de Sallanches, who is expected to ask for the hand of her older, plainer sister in marriage. Gaston instead joins Caroline in her secret hiding place in the château's attic, where the infatuated Caroline begins an affair with him. Meanwhile, she is being courted by the dull, sincere Livio, but holds him off since she is in love with Gaston. When the revolution of 1789 breaks out Caroline is sent to a convent but her carriage is waylaid. She escapes and makes her way to Gaston's home, where she finds him in the arms of his mistress. She is angry and then agrees to marry Livio, now an out-of-favor revolutionary and a marked man, and Caroline is also now on the death list.
One of the very few Burma/Myanmar classics still in existence and is the country’s earliest surviving silent film in colour from 1950. Contemporary stars Phoe Par Gyi, Kyu Kyu, Pho Par Lay star in this romantic comedy, revolving around two friends who move to Yangon to look for work. They meet a beautiful young woman, Kyu Kyu, who lives with her aunt after her parents passed away. Though she is rich and owns her own company, Kyu Kyu is humble and attracts the attention of several suitors, including a police officer, an air force captain, and a writer. Starring many of the major Burmese actors of the time, the film is a precious document of the prolific and vibrant movie industry in Myanmar then.
"Der Herr auf Bestellung" has the Weimar dream team of Walter Reisch as scriptwriter, Geza von Bolvary as director and most importantly, the incomparable Willi Forst as main actor. This 'musical burlesque' tells about a stylish young gentleman (Willi Forst) who works as a so-called 'Festredner'; an untranslatable term, it indicates a person who makes speeches at important events like marriages etc. for people who don't feel able to do it themselves. Willi lends his voice to a speech-impaired professor (Paul Hörbiger), but the baroness (Trude Lieske) who falls in love with Hörbiger only does so because of Willi's voice, and you can guess that this leads to all sorts of complications…
In order not to compromise the great music hall star with whom he spent the night, a man is accused of a murder he did not commit.