Dancing At The Blue Ig

Baba Koichi (49) is the head of the design department at a construction company and has just transferred to Tokyo from Kagoshima. He has little regard for his family and constantly quarrels with his wife and daughter. At work, he acts selfishly and is viewed with contempt by those around him. One day, Koichi is diagnosed with Parkinson's disease, but he cannot accept it and is left alone. On the recommendation of his doctor, Koichi starts attending PD SMILE, a rehabilitation facility for Parkinson's disease. However, being an introvert, Koichi struggles to communicate with his peers at the facility

In a delicate and humane manner, this film touches upon a very serious issue: how to stop fearing death while being in love with life. We talk (and laugh) about this subject with the protagonists of this film, modern geniuses and ordinary people from different parts of the world.

"Je danse devant toi..." or the ceremony of farewell. Leaving the other person is also a little like saying goodbye to oneself. Isabelle Martin sends this letter in the form of a visual poem to a lost soul mate and dances on "until [her] socks wear out".

Barney is back with a new generation of kid actors, a music video, and BJ in a tutu. Gone is the old treehouse; Barney and buddies now hang out in a hip refurbished caboose. First up is a lesson about reading in which books inspire the children to act out stories and write their own. In the second story, BJ doesn't want to dance ballet with his sister Baby Bop, until the kids explain that he can put his own spin on it--and take off the tutu. The reinvigorated dinosaur even mildly displays some urban flair when one girl dances to rap. With the incessant adult Barney-bashing of the past, his new owners had the stated purpose of getting parents on their side this time. In that respect, the good news is that both the setting and the child actors seem less artificial, and one of the girls even has a lovely singing voice.

The story between a lover and mistress based on fable story that show his attempt to defeat the demon and married with the girl.

Ethnographic film

Hong Kong movie

Early Japanese animation featuring a dancing tanuki (a Japanese raccoon dog).

Instructed teaching of social dances for the new millennium in dancing school Urska in Ljubljana.

Taemin's solo ‘Beyond LIVE’ concert titled N.G.D.A (Never Gonna Dance Again) performed in KSPO Dome.

One summer, I was filming by the seaside, and I met him. I was playing as a floating dead body. He thought that I committed suicide by drowning, and “saved” me by the seaside. I fell in love with him right away. We went to watch all the movies I loved; I talked to him about my fascination with death. I asked if he would come to my funeral after my death. He could no longer bear with that and left me. After all the incidents, I sit in the theater, looking at the big screen, watching our stories taking place, and realize that everything is my imagination. Yet, I would love to stay in that fictional story.

Through the voice of its founder Marinella Senatore, the video focuses on a few key themes of The School of Narrative Dance project. The artist describes how the nomadic school, founded in 2013, centers on the concept of "assembly" and collective creation which promotes an educational system based on emancipation, inclusion and self-cultivation. A school which continues to travel and has, until now, worked in more than 15 countries in the world and involved some 5 million persons including activists, both amateur and professional workers, dancers, choreographers, actors and poets in an atmosphere of shared knowledge. As the artist speaks, scrolling across the screen are images from the itinerant performance held in Naples in September of 2019.

Short film screened at Il Cinema Ritrovato 2020

A documentary of the life of German actress Sybille Schmitz (1909–1955) who rose to prominence in the German cinema of the 1930s and whose final years were used as the basis for Rainer Werner Fassbinder's 1982 film 'Die Sehnsucht der Veronika Voss'.

One of Brazil's most popular contemporary dance ensembles, Grupo Corpo combines Afro-Brazilian movements with ballet and modern dance to create an innovative and visually dynamic stage performance unlike any other. Documentarian Jürgen Wilcke gives viewers a glimpse into the inner workings of this world-renowned troupe as the 19 dancers prepare to wow audiences around the globe with their energetic presentations of grace and passion.

The most modest comedian in Russia filmed his first concert in his hometown.

Dance from the Opera ‘Il Trovatore’ (1853) by Giuseppe Verdi (1813-1901). Choreography by August Bournonville, 1865. Performed by Valborg Borchsenius (née Guldbrandsen). (Stumfilm.DK)

Lightning struck the hut of a Fulani shepherd near a village of settled fishermen, Ganghel, in Niger. A yenendi, a purification ceremony to obtain "water from the sky but not fire from the sky", is organized, with Sorko priests, ritual musicians and dancers, and the faithful from Niamey. The musicians call on Dongo, god of storms, and his brother Kirey, god of lightning. To the rhythm of the orchestra, a man goes into a trance, becoming Dongo's horse and at the same time the riding genie. Then a woman is possessed by Kirey. When the riding gods have mastered their horses, the gods visit the men. Dongo purifies the lightning-struck land and the oldest fisherman prepares the purification vessel, addressing Dongo.