Culture Club Live At The Royal Albert Hall 20th Anniversary Concert, Streaming avec sous-titres en Français, culture club live || Regardez tout le film sans limitation, diffusez en streaming en qualité.
Culture Club was one of the most successful British acts of the eighties. With major hit singles on both sides of the Atlantic, they had album sales in the millions across the globe. In 1984, fresh from winning Best New Act at the Grammys® and Best British Act at the Brits, and with their album "Colour By Numbers" going platinum around the world and hitting No.1 in over 50 countries, they took their live show to Australia for the first time. This concert was shot in Sydney by Channel 9 TV in front of a wildly enthusiastic sell-out audience, and perfectly captures the sheer excitement the group generated at their live shows.
Few new wave groups were as popular as Culture Club. During the early '80s, the group racked up seven straight Top Ten hits in the U.K. and six Top Ten singles in the U.S. with their light, infectious popsoul. Boy George and Culture Club are now on a US tour, after the recent release of their latest single “How to Be a Chandelier”. Having delivered over tens of thousands of concerts all over the world, Boy George and Culture Club will be performing for the first time ever LIVE to cinema audiences all over the world in February 2023.
For this very special hometown show, all four original band members—Boy George, Jon Moss, Roy Hay and Mikey Craig–reunited for one final show together at the historic Wembley Arena in London.
Live at the Royal Albert Hall finds Culture Club celebrating their 20th anniversary with an infectious and expansive grandeur, all while basking in the love of adoring fans. The show actually starts with a great joke on the audience: Boy George, looking not a day over 20, glides onstage in his once-trademark derby and beaded hair extensions, delivering a warm and welcome vocal on "Do You Really Want to Hurt Me?" The startled crowd soon realises he's an impersonator. The real, fortysomething George O'Dowd, looking a lot less androgynous and a tad thicker than in his New Romantic days, smiles self-deprecatingly and launches into a pleasing set of white soul ("Cold Shoulder", "Miss Me Blind"), stark gospel ("That's the Way"), stirring raga-rock ("Bow Down Mister") and even a classic (a lovely cover of Bowie's "Starman", complete with audience participation and muscular guitar by Roy Hay). It's a fine show all around.
