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People entering an arena on horseback.
Burlesque: the champion describes his race with such conviction that everyone is carried away with him.
....and therefore a man leaves the building carrying an umbrella, which promptly blows away. Since no one in Paris has ever seen anything like this before, a dozen people, including a man hobbling along on a a crutch, chase the thing for kilometers -- I had written 'miles' but this is a French comedy.
Gus is making violent love to his cousin Sue, to whom he is engaged, when all at once, he has a desire to sneeze and finds to his consternation that he is without that very necessary article, a pocket handkerchief. Becoming very much excited in his embarrassment, he begins turning his pockets inside out and getting redder and looking more awkward every minute, until Sue, becoming disenchanted with her foolish looking lover, hastens to greet Arthur, whom she sees approaching. It is plain that the latter is gaining ground with Miss Sue, when all at once he begins to sneeze and is unable also to locate his handkerchief. He forgets that on entering he had laid it with his hat on the table, where Gus was fortunate to find it and owing to which good fortune the latter is able to regain the side of his fiancée, who is now alone, as Arthur, feeling that awful tickling sensation in his nose, had to flee.
In Paris, freed by criminal hands, several barrels roll down an endless slope, dragging everything and everyone in their path.
This film traces the dramatic rise and fall of workplace cooperation at Eastern Airlines. In so doing, the film uncovers the deep-seated assumptions which underlie our culture of industrial relations and prevent us from breaking out of our industrial impasse.
Output of the quadrille and the beginning of the race for three quarters.