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A long-hidden, personal doc about leaving a beloved house by the late, revered Portuguese director Manoel de Oliveira.
The action is situated in Colombia on April 9, 1948, date in which took place the famous "Bogotazo". It is a story of love frustrated by political circumstances. Laura, a spinster schoolteacher, lives to Josefina and Santiago, public employee. The three characters will be besieged by 24 hours, targeted by snipers, will be forced to show such which are or they would have liked to be.
After having dropped out of school and given birth at age 16, Mako has little choice but to move in with the baby's deadbeat father. Struggling to make ends meet by working at a bar and in constant conflict with her conservative parents, Mako has to find her way in a harsh world.
A young man is tormented by a manifestation of his conscience, who is looking for a confession.
The Confession (1990) survives in Parajanov: The Last Spring (1992) in its original camera negative. It remained unfinished due to the death of Sergei Parajanov. The Confession (1990) was his favorite screenplay, which was written in the 1960s and was his film-memory of the childhood, student years, marriage, imprisonment and more as the fantasist Parajanov perceived it. Parajanov gifted the screenplay to Mikhail Vartanov, made a drawing on the cover and wrote: "The Confession will only be made by a director born in 1924 in Tiflis, Georgia." He predicted that he would not finish it.
Gayoung, a director, expects to hear a farewell confession from her boyfriend, who's an actor. (Part of "100인 X 100초영화 프로젝트", a project dedicated to celebrate 100 years of South Korean cinema.)
Tom is in his mid thirties and experienced many setbacks in his life. Recently, he has fallen in love. "Charming, funny…“ is how he describes his crush. But one day: silence. His calls and texts remain unanswered. To come over his frustration and anger his mother advises him to talk to a priest. Reluctantly, he follows her advise and goes to a church for confession.
A surreal battle with depression by the young man who comes upon what he experiences while continuing his daily life.
Hawon, whose matinee idol star “J” is a relative, asks her classmates to elect her as class president on condition that she get J’s autograph for them all. But the election brings an unexpected result.
Two best friends discover a deeper meaning of life as they grow closer.
Volodymyr Kalnenko is a freelance artist-painter who was recognized in St. Petersburg, had a wide circle of communication, money, and a workshop. After returning to Ukraine, everything changed dramatically. The artist faces great challenges. After all, every creator is thin-skinned before the gray everyday life. The hero involuntarily confesses, having come to the conclusion that while God allows painting, it is necessary.
Priest Giorgi, a former Film Director, is sent to serve the small parish in the mountain village. To bring villagers closer to church he starts showing films there. After the screening of the first picture - "Some Like It Hot" - the audience imply that the local music teacher Lili looks exactly like Marilyn Monroe. After meeting Lili, Father Giorgi's balance between cleric and secular world starts to quiver - the woman is extremely sexy and the temptation is difficult to resist.
Park Duk Joon is an old man living by himself. Every night, he suffers from insomnia attacks brought on by disturbing flashes from his dark past. He tries in vain to pray and find solace in religion. His only friend is Mrs. Lee, a church elder who gives him weekly church bulletins. Mrs. Lee invites him to a testimonial at her church. Duk Joon is surprised to see the face of the speaker. He is Lim Gwang Han, Duk Joon's former superior officer from his days as a police interrogator in the 80s. They meet for the first time in years, Gwang Han brings up Duk Joon's painful past again.
Today's round of confessions receives an unexpected visitor.