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A journal of my time dealing with the loss of my father and reuniting with a long lost lover.
In the small Mexican coastal village of El Roblito, 16-year-old Ñoño lives what seems to be an idyllic existence with his loving family. But he holds a secret. Defying gender norms, Ñoño works up the courage to tell his family he wants to live his life as a woman, a fraught decision in a country shrouded in machismo and transphobia.
Sam and Do (short for Dominique) have been together for five years. They enjoy life and are very happy. But then Do gives birth to their son Max. Their whole life is suddenly upside down. Can their love survive after the arrival of their baby?
A portrait of the internationally acclaimed Spanish film director Isabel Coixet and an analysis of her particular world and her sensibility as a creator: her fictional universe, her career and her life through the words of actors, technicians, family, friends, journalists, specialized critics and those filmmakers who have been inspired by her work.
A forgotten New Year’s Eve, a ghost who suddenly comes to visit and a journey to the gardens of memory. A personal effort to remember the past.
The daily life of a family in which countless factors are disturbing: the father is unemployed, the members need to move house, the mother is abducted, and life continues as if nothing had happened.
"There are things in this world that are yet to be named" centers around Solanum plastisexum - an Australian tomato whose sexual expression is unpredictable and unstable, challenging even the fluid norms of the plant kingdom. Footage of the team of botanists who recently used their Solanum research to explode notions of sexual normativity in any plant or animal is combined with a voiceover of letters sent between science writer Rachel Carson and her lover Dorothy Freeman. "There are things in this world that are yet to be named" is a meditation on erasure, indefinability, and the intersection of queer and environmental histories.
Bubble Bubble Meows and his cohorts cooperate to conquer a cold-hearted condiment coup.
A boy fears the monsters that go bump in the night and discovers reality is much more frightening than he could ever imagine.
Everything around us has a story to tell. Shoes, cans, string, mirrors; everything we see and touch has an epic tale of how it came to be invented or discovered, and the dramatic moments throughout history at which it played an important role. But few of us know these stories. We go through our days blissfully ignorant of the deadly and dangerous road brave men traveled in order to bring coffee to the world, or the pivotal part beer played in the civilizing of mankind. These stories and many more are brought vividly to life in this two-hour special, which follows one man on a journey through the last day of his life, examining and recounting the epic tales of the everyday items he encounters before his ignorance of their stories leads him to his ultimate doom.
There are times when creation is not marked by an outlined idea, but it is rather modulated as if it had a will of its own, a voice that constructs its own discourse and is asking to be heard.
A woman sweeps the floor, then hands the broom to a man: he sweeps a bit, and hands it back to her. In this film, named after Vasari’s biography of Giorgione, man and woman reenact Manet and Titian, switch places, and in so doing, exchange their nudity and the gaze that seeks it. In voiceover, a woman reads a letter telling of her efforts to sign up her daughter in daycare ; other kafkaesque situations follow, drawing wth humour the picture of a life of submission to an absurd administrative power. In the frame, birds and their choreographies echo the wanderings of the two characters in the Camargue countryside. (Nathan Letoré)
The fundamental questions of human life about guilt, repentance, and redemption are posed in the two documentary essay - about the grief of the women from Sliven Prison who give birth to their children behind bars. Binka Zhelyazkova diagnoses the public through the stories of her heroines. The film does not appear on the screens after their creation, but only after the changes in 1989.
During a film workshop, the filmmakers Astrid and Roozbeh create a conflict with the group of skeptical youngsters who wonder if they are really only used as cleaning staff.
Three young drug addicts are admitted into rehab, oblivious to the fact that the clinic is actually the hideout of a gang of drug dealers.
A young woman, who has almost given up hope of finding love, runs into someone in a cramped elevator. Someone who revives all her longings. The only problem is that she doesn't know he is or what he looks like.
An omen, a shred of time only. Suddenly the huge-bellied man jumps into the pool holding a glass of whiskey.
The new guy of Lisas mother lost his job, sits at home and drinks. As long as her mother doesn't throw him out, she will have to do it herself.
Two thirty-somethings who have been a couple in adolescence meet again after many years. Through a series of fortuitous events, they end up spending the night together, touring the city and trying to reflect on who they were and who they are today.
The fast-driving daughter of a car manufacturer keeps Berlin's most pricey lawyer busy as she keeps getting into scrapes.
