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Aaron wakes up, frightened and wounded, on an empty road. A mysterious door leads her directly to an emotional and liberating journey.
25 year old risk management analyst Ed Victori leaves his job in finance to start managing the art career of his father, Victor Victori.
Introducing a new generation to a rare instrument, by breaking stereotypes the steel guitar is pigeonholed to country music and a dying instrument. Meanwhile, lovers of the instrument can rejoice for the future with THAT THING THAT SOUND.
A gay single dad struggles to explain his fabulous past life to his eight-year old daughter.
A man is killed by a mysterious creature while out hunting.
The exfiltration of memory––and body heat––to greener pastures in this post-apocalyptic thriller from indie enfant terrible Charles Marinaro.
After the murder of his girlfriend in Miami Marcus West returns home to New York City to get back on his feet. He is determined to make the phony securities scam he's mixed up in his last con. One mess leads to another until Marcus realizes everyone he knows and trusts is taking him for a ride. His ex-girlfriend turns on him his best friend betrays him the FBI frames him and his mob boss no longer trusts him. His journey home has left a bad taste in his mouth. Now it's time to trust no one and fight back
The video work Authentic News of Invisible Things is inspired directly by archive footage taken in the French City of Lille in 1918 which depicts a group of civilians gathered around a dummy tank abandoned by the retreating German army. Recreating and filming the historical scene in black and white, she pulls back switching to colour to reveal the cinematographer's devices. This contemporary footage is then interlaced with the original to create a complex dialogue between layers of reality, fiction and staging that simultaneously corroborate and mock one another. The effect is a reassuring distance between the observer and the image; a distance that the artist undermines in a further channel of video when a real tank is driven into the streets of the sleepy Italian town of Bolzano and the reactions of local inhabitants is recorded. This final gesture takes the work full circle, creating real encounters between people and an actual war machine but without the context of battle.
Richard, bored of his mundane existence as a cycle courier, attempts to make his film "A Distance Too Far" in a bid to escape to a better life. Driven by the belief that it will propel him, his friends and his girlfriend to fame and fortune, and the fear of ending up like his family, the completion of his 'masterpiece' becomes the sole focus of Richard's life.
An unusual African film with a powerful visual narrative style and an experimental electronic score. The Aimless Wanderer of the title is a white man making an African travelogue. He meets a local girl who soon disappears. Little by little, fear and paranoia overcome him.
A film by Joseph Bernard
Two robbers gets into an argument when one of them laments that something supernatural is outside their room.
Wind in the lungs, marks on the skin, the direction of a gaze: Made of Things My Eyes Could See is a study of whether it is possible to be close.
Dialogues is Land's last film: A chaotic, self-reflexive experimental narrative about many, many things-- namely Land himself. A caustic, anything-goes attitude permeates the late work.
Born free in Philadelphia in 1823 and trained as a carpenter, Mifflin Wistar Gibbs volunteered on the Underground Railroad, and lectured with Frederick Douglass. Gibbs was a successful merchant in San Francisco during the California Gold Rush. Escaping discrimination, he migrated to Victoria, British Columbia where he served as a city council member and coal mine operator.
One of the most asked questions is why a loving God allowsdeath and suffering. The heart of the Creator is revealed as Gary Bates persuasively unfolds the often overlooked issue in today's evolution-creation culture wars - the vital 'big picture' of the Gospel. Many hearts and minds were changed after hearing Gary explain the Gospel message with a powerful, yet compassionate approach.
Color-blind: Frank struggles to finish his documentary on the painter Benjie, whom he looks up to. He wants to become Benjie.
The central image of in the nature of things is the Forest- sometimes fearful, sometimes a refuge, always mysterious, and the multiple associations and myths embedded in it- myths within which we live and which live within us- our collective history. But, unexpected moments, intensified fragments, catch us unawares- the present confronts us.
Frustrated at the lack of representation of domestic abuse and rape within queer male relationships, I made an experimental diary film recounting my own experiences from the POV of my abuser and the people in my life at the time.