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Two years before Peter Watkins’ Punishment Park (1971), director Penelope Spheeris takes the McCarran Act to its inevitable next step and shows us—via an early use of mockumentary—what the U.S. might be like if potential subversives were simply locked up en masse before they had a chance to subvert anything. 16mm, color, 12 min. Director: Penelope Spheeris.1969. Preserved by the Academy Film Archive in 2016.

Set in the 1990s, these are the life and times of Amado Carrillo Fuentes, a man who became the head of the Juárez cartel. Nicknamed “El Señor de los Cielos” (Lord of the Skies) because of the large fleet of airplanes he used to transport drugs, he was also known for washing more than $200 million through Colombia to finance his huge fleet. He is described as the most powerful drug trafficker of his time.

Short educational film by Vladimir Kobrin.

Moscow. High rise. Here, on the 12th floor, is the office of the call center "Online Store for Adults". One morning, twelve people who are in the office suddenly find out that there is a bomb in the room. The voices of the unknowns who introduced themselves as Dad and Mom threaten to blow it up at any time if the hostages do not follow their instructions. While the countdown is going on, they will have to experience the absolute power of invisible sadists and learn something about each other’s life that they did not even suspect.

The games of the 28th summer olympiad returned to the birthplace of the Olympics - Athens, Greece. The games ran from August 13 to 29th 2004.

Sophie, a quiet and shy maid working for an upper-class French family, finds a friend in the energetic and uncompromising postmaster Jeanne, who encourages her to stand up against her bourgeois employers.

The Concert in Central Park is a live album by Simon & Garfunkel. On September 19, 1981 the folk-rock duo reunited for a free concert on the Great Lawn of New York's Central Park attended by more than 500,000 people. They released a live album from the concert the following March (Warner Brothers LP 2BSK 3654; CD 3654). It was arranged by Paul Simon and Dave Grusin, and produced by Paul Simon, Art Garfunkel, Phil Ramone and Roy Halee. The concert was also shot on videotape, televised by HBO in 1982, and subsequently released on various home video formats. The VHS and DVD contain two songs that were omitted from the live album: "The Late Great Johnny Ace" and "Late in the Evening (Reprise)". "Johnny Ace" was disrupted by a fan rushing the stage who came very close to attacking Paul. This incident was both frightening and coincidental, as the song is an elegy upon the murder of John Lennon just one year earlier.

French television documentary about Cecil Taylor.

Documentary on the life of the great Romanian-Jewish poet Paul Celan. Tormented by the experiences of the Holocaust, he committed suicide in Paris in 1970 in the Seine. For the first time, the poet's son, Eric Celan, speaks in front of the camera about his father and the difficult life of the family.

Roland Orzabal and Curt Smith, a.k.a. Tears for Fears, made potent radio music for the 1980s but traveled a steep learning curve when it came to music videos. Still, their video productions improved markedly with each hit, as demonstrated in this mini-collection of five titles. "Shout" still sounds every bit the catharsis it was meant to be, while its sleepy video is paradoxically and arbitrarily set against pretty coastlines. "Everybody Wants to Rule the World" doesn't do justice to Tears' most engaging and powerful recording, with its mesmerizing, Mystery to Me-era Fleetwood Mac sound. The guys start looking cool, even sexy, in "Mother's Talk (U.S. Remix)," while "Head Over Heels" makes a star out of Orzabal, playing a goof trying to pick up a librarian. Naturally, this set ends with the psychedelicized "Sowing the Seeds of Love," with its Beatle-esque production and images of floating Buddhas. --Tom Keogh

A one-hour documentary that tells the story of how Standard Oil magnate Henry Flagler came to Florida in the late 1800s, built a railroad and hotel empire on the last American frontier, and launched a population boom that lasts a hundred years.

Johnny Cash influenced a great variety of musicians and it was never more apparent than on Friday, April 20, 2012 at The Moody Theater in Austin, TX. The special concert and 80th-birthday tribute, We Walk the Line: A Celebration of the Music of Johnny Cash, featured an all-star list of talent not only celebrating the life and legacy of Johnny Cash, but also paying tribute to Cash, his music, his roots and his heritage.

Beth Stelling describes the weird aspects of being a female comic, her mother's struggle with phone companies and why she loves "The Bachelor."

Based on the first centenary of the largest exporter of films in the world, that is Hollywood, is the story told by its protagonists, actors and writers and other people who made life in this business, interspersing images of famous movies.

Dedicated to the 100th anniversary of Film Art. In the Grand Cafe-like ambiance a star-baby is born, starting it's journey through the first century of the glorious history of film.

This is a documentary about a teacher from Reykjavik in search of her roots and interested in the preservation of old tales and history. Our story opens in the remote Mýrar cemetery in the West Fjords. The narrator is standing by her forefathers´ grave, which is overgrown and neglected and she senses her dead ancestors call out and implore her to do something. Beautiful irons cross lies on the grave of a young boy who died in the middle of the nineteenth century. Her curiosity aroused, the narrator discovers the story behind the iron cross memorial by talking to the archaeologist, Gunnar Bollason. She then goes on to discover similar iron crosses in cemeteries elsewhere in the southwest of the country. We visit the town of Þingeyri and watch as the broken iron cross from the family grave is repaired by the skilled craftsmanship of Kristján Gunnarsson at his engineering workshop, a workplace with an unbroken tradition going all the way back to 1913.

This film is the result of the director's first experience with 16 mm film. As in the case of 8-mm, the last and most important goal of this work is not a story, not a story, not an illusion of presence or a desire to convey, comprehend reality, but the creation of a sequence of artistic images on the screen that suits the author, the creation of an artificial flow, rhythm, music of images. He considers his "cinematic" activity as a natural continuation of the musical, its integral part. This is his personal large-scale research driven by a thirst for enjoyment of rhythmic changes of various shapes and colors.