Complet She

Trouble with her VW leads our road-tripping dyke into a situation where she must decide between an indoor picnic with The Cutest Girl in North America, or Margaret -- her own scowling demon.

Lifeguard Ben Turpin tries to keep order at the beach, where tennis players James Finlayson and Charles Conklin vie for the affection of Marie Prevost and get involved in antics including fishing and a wild boat ride in this Mack Sennett two-reeler. Roughly only half of the film still exists.

A man tries to remember his wife but only comes up with scant details as his memory starts to stray.

A girl wakes up, into reality, a nightmare, a memory? Terrified at what she may have done, she runs. Writer / director Ruth Paxton has made a disturbing journey into her own recurring nightmares. An episodic series of states of mind, the film contains realistic, symbolic and surrealistic elements. Her protagonist is fleeing the truth, dreading that she may have revealed her transgressions. Pleasant memories and alcohol temporarily block out the furies, but these fleeting moments of freedom and ease are cut brutally short by the relentless pursuit of her guilty demons. Ruth Paxton has combined narrative and experimentation to produce a film that is both visually stylistic and dramatically compelling, depicting the shredding of a conscience experienced at an intensity that is beyond words.

Youth, a period of life that is purposely wasted, but full-heartedly enjoyed. Following a young Portuguese girl's hair dye endeavour, the director remembers her own libertine youth. A dialogue beyond time, space and culture unfolds the truth of being young.

One day, s(he) was brave enough to explore the limits of her body. Or was it a body exploring the limits of her?

It's the year 2027. A gang of five friends, Elizabeth, Mia, Wallace, Simon and Selena, spend the day together waiting for the results of the presidential election. Everything seems to be going well until they learn that zombies are ravaging the land...

Loud, fearless and (un)typical girls: Gina Birch (The Raincoats) and Helen Reddington (The Chefs), musicians and punk icons turned directors, serve up a fascinating documentary built on new interviews with the women who played instruments in punk bands in the 1970s. In accounts laced with wit, honesty and insight, pioneering players including the Adverts’ Gaye Black (bass), Palmolive from The Slits (drums), Shanne Bradley from The Nips (bass), Jane Munro from The Au Pairs (bass), Hester Smith and Rachel Bor from Dolly Mixture (drums and guitar), bassist Gina and guitarist Ana Da Silva from The Raincoats, as well as many others, we hear about acquiring instruments, learning to play, forming bands and getting gigs.

Short by Douglas Burgdorff

A romantic comedy about two lovers; the parents of the girl forbid them from being together.

Stop-motion and live action dance film. A collaborative project between dancer/choreographer/performance artist Nikki Rollason and filmmaker/artist Clifton Childree.

A blue collar African American mother talks about her pregnancy and raising her daughter with her lesbian lover.

“Have we ever been to Matsu?” Does this question trigger some mental images, such as flashing postcards inside our mind, or memories of shared photographs through social media? How do we build a landscape of an island? By modifying the geography or by spreading its visual representations? Let’s replace the first inquiry with another one: “Have we ever listened to Matsu?”What would we listen to first? Who would we listen to? What do people in Matsu listen to? As islanders, do they listen to the sounds of the sea or to the sounds of the neighboring country? Is there any document we can listen to about Matsu? Just like images and the internet conspired to transform our vision and memory, may recorded sounds could alter our listening, and therefore our perception of these islands?

Agatha is an international lawyer, Jo a filmmaker. The two women are lovers. While Jo is on the road showing her films, Agatha discovers and reads her diaries. Problems ensue as Agatha's transgressions lead to jealousy and a spiraling cycle of sexual obsession.

A young recruit in the Royal Mounted is sent out to get his man. He sneaks back alone. He is disgraced and dishonored before the girl he loves. Then her faith rekindles his manhood and he fights his way to her favor. When single handed, he wades into a snarling pack of lawbreakers and licks them with his bare fists, you'll know by the noise your audience is happy.

The longtime tenants at a London women's hotel decide to take action when the newest resident, a sexy young flirt, begins stealing everyone's boyfriends. Director Godfrey Grayson's 1962 British comedy stars Ann Sears, Sally Smith, Avril Edgar, Terence Alexander, Bernice Swanson, William Fox and Michael Balfour.

Fleischer Studios Screen Song. At a super-automated theatre, the Eton Boys (in live-action insert) sing the title song aided by the Bouncing Ball.

This delicate and impressive collection of life experiences centers on a group of foreigners -- Chinese, Peruvian, North American, Senegalese, Australians, French -- who are trapped in Brazilian jails.

Students at New York's Rovina Finishing School for Girls send their photographs to the makers of Claybury's Beauty Soap, in the hope of being chosen as "Miss Complexion of 1934." Martha Howson wins the contest, which includes a trip to Hollywood and a tour of the Warner Brothers lot with Lyle Talbot. When she gets to the studio, all she wants to do is meet Dick Powell, star of the new Warner Brothers film Dames (1934).

A troubled artist with a dark past attempts to make peace with her dying mother while investigating the mysterious death of her teenage sister.