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Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

She Kills Monsters is a drama-comedy play by Qui Nguyen that debuted in 2011. It tells the story of Agnes Evans, an average woman who loses her parents and little sister Tilly in a car accident. Having been very distant from her sister while she was alive, Agnes embarks in an adventure to get to know her sister better by playing a Dungeons & Dragons module that Tilly had written, and discovers things she'd never imagined. The plot takes place in reality and in the imaginary game world; in the game world Agnes learns about Tilly's exploration with her sexuality and how she struggled with her sexuality in reality. The play is also presented in a "Young Adventurer's Edition" which removes the explicit language and ages down the characters.

Ava and her girlfriend Sascha are fighting for a tolerant world. When Ava's father comes to stay with them, their own tolerance is tested.

Jessica Fletcher, lecturing at a writers' conference, finds herself called on to solve the killing of a guest speaker, an arrogant Russian author who'd written a nonfiction, tell-all book about his tenure as head of the KGB.

After years in prison, Nate has made some dangerous enemies, including the powerful criminal gang he worked for on the inside. Desperate for a fresh start, Nate cuts ties with his old crew on his release from prison, but the gang retaliates by putting a hit on his family. Nate picks up Polly, the shy eleven-year-old daughter he hardly knows, and goes on the run to keep her out of harm’s way. As they attempt to stay off the radar, it becomes clear that their enemies are relentless and won’t give up easily. Nate teaches Polly how to survive and watches her transform from a timid little girl into a force to be reckoned with. Nate, in turn, learns what it is to love unconditionally as he bonds with his daughter and battles for their future.

This is a story about love and courage. Every day after school, Ronan, a junior in class 3, goes to the grocery store to pick up a newspaper with a blue sticky note. As her mother’s life enters a countdown, Ronan can no longer turn a blind eye to her parents’ marriage rift. In her own way, she encourages and convinces her mother to escape for a better life.

How do we speak about the horror with which we are faced but cannot come to terms with? The classmates have gathered for their fifteenth high-school reunion, reminiscing about their adolescent adventures. As the evening progresses, different dinner courses and drinks are brought out and the conversations become more open, yet there is one topic that everyone avoids, until alcohol encourages them to mention the shocking letter they have all received. The letter is a torturous confession from one of their former classmates, in which she reveals the brutal abuse she endured as a child and during high school.

Khun Nu was always a good girl at home, paying polite attention to her parents. But she change when she got involved with a group of young women at the university. They partied and lived a dissolute wild life. Khun Nu fell in love with flirtatious young man, got pregnant and started to drink heavily. Things got violent an she was abandoned.

Often, when Miren goes to order her coffee, so­meone jumps the queue. But the day she reali­ses that a blouse has been stolen from her shop she decides to put her foot down.

Every encounter with an image, every interaction searches for its own form. She is the other gaze is a collaboration with five female visual artists of an older generation who have been part of the Viennese art scene since the 1970s and engaged in the women's movement. In dialogue with the filmmaker Renate Bertlmann, Linda Christanell, Lore Heuermann, Karin Mack and Margot Pilz share their early works and artistic practices. They remember how their self-determination evolved between artistic ambitions, economic constraints, adaptation and resistance to the prevailing patriarchal social structures. In their role as feminist pioneers, the protagonists are a great influence on the contemporary art scene and the self-understanding of younger artists today. With their voices and narratives, they become collaborators passing on feminist thinking and artistic experiences.

Sudana puzzled when his wife said tonight there will be special guests come to their house. All they can do is prepare, memories occur and make a strange but wonderful day in his life.

Artem shares two sides of his story: the ordinary life of a boy and the enchanting one of a virgin with an unusual name – the letter B. This is a documentary about drag culture, freedom and extravagance, about equality and choice.

A movie about a bad luck taxi driver

A woman travels, blindfolded, from an ancient countryside temple to a bustling city. Her surroundings change, but her sense of unease lingers. The director uses a distinctively female perspective to combine the past and present. Made in December 1989, the film expresses a sense of anxiety permeating Hong Kong during that time.

Two vagabond friends become lovers of the same beautiful girl, but when their third friend and leader comes out of prison, he has other plans for all of them.

Luzia consumes all the sweets from the neighboring baker, Carmen. Friendship evolves into a platonic passion, which brings a new flavor to Luzia's bitter days.

A stylish sensual sample of European erotica about an aspiring model in Paris who becomes a participant in a relationship with a lesbian.Her female lover becomes too possessive, the model takes a job with an homosexual painter.

A lesbian couple on the brink of divorce divide their possessions in mediation and through each object, we get a glimpse of their relationship and the sometimes humorous and sexy power that objects can hold on our lives and emotions.