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For the fine officers of the Willowbrook police department, fighting a slime-sucking monster from the great beyond is just another day on the job. It's the relationship stuff at home that's really scary.
A mix of 8mm and 16mm home movies, mostly depicting Western women focused on their home lives or leisure time, collected obsessively on eBay auctions, is remedied through various artisanal and eco-friendly techniques. The film follows a woman's chronological evolution from childhood to death and the iconic traditional milestones she hopes to reach in Western Catholic culture: communion, confirmation, marriage, motherhood, housewife, perhaps learning to crochet, and so on. In a strange reversal, none of these moments were experienced by the filmmaker. Ultimately, the disturbance of these images becomes a poetic intervention in which the director's personal experience is intertwined with the cultural heritage of popular iconic images of women in home movies and a reflection on the objects found, and ebay as an unlikely source for counter-file.
A mother hides her children in the countryside, forcing them to a cloistered life without joy, freedom and taste. The children, now grown up and eager to know the world, break the rituals of the mother and face the consequences.
Right after she moves in with him, Frederico's new girlfriend Francesca sends him back to her former boyfriend's apartment to fetch her something she forgot - but he's surprised to find him lying there - dead. Assuming that Francesca killed him and sent him for cleaning up, he cuts him up in pieces, puts him in a suitcase and tries to get rid of it... but he has a hard time finding a suitably quiet place. Unfortunately there's a witness, who comes back on him. One thing leads to another, and the normally shy and overly fearful Frederico has to rid himself of more and more corpses until this black comedy ends.
Memoirs of My Nervous Illness is based on the 1903 journal written by Daniel Paul Schreber, a distinguished German judge, while incarcerated in an asylum under the watch of the obsessive Dr. Emil Flechsig (Bob Cucuzza). Schreber's insanity was characterized by startling delusions, all chronicled in his journal, including a belief that he directly communicated with God through a secret "nerve language," and a desire to transform himself into a woman. The film depicts the eccentric man's increasing descent into his alternate universe of supernatural powers. Meanwhile, Flechsig struggles to maintain control of his patient, finding himself both attracted and repelled by Schreber's femininity. The narrative culminates in a courtroom plea by Schreber for his freedom from the asylum.
The Roman emperor Nero is considered one of history's greatest criminals - a cruel, insane, and brutal ruler. Secrets of the Dead: The Nero Files investigates Nero's reign with the help of criminal psychologist Thomas Müller.
Portrait of Augustinas Baltrušaitis, film and theatre director, as well as actor, who fell into obscurity and has now been relegated to the margins of society, as a result of specific political circumstances. Countdown is a film about the limits of memory, the effects of the implacable passage of time, and a hope that surpasses time.
The film springs from at least three ideas connected to each other in an irrational way: the story of a cow being taken to the butcher, the description of simple pleasures, how to ascend to the top of a hill and descend in a wheelbarrow, and the portraiture of a several blind people. The great, big eyes of the cows are seen in contrast to the unseeing eyes of the blind people.
"By composing the rhythmic scores of the images of Black Sun I pursued “a beauty of power”, as the poet Pierre-Jean Jouve writes, rather than a beauty of harmony, drawing light sculptures that unfold over time and are engraved in the night of the retina according to optical-luministic scores regulated by the laws of an inner metric..." Arcangelo Mazzoleni, Work diaries, 2003
A mysterious woman dressed in black slaps a man who is about to get married.
Georgie Price tells Bryan Foy, who is to direct his short film, that he is nervous about performing to a camera and microphone instead of an audience. He then sings a couple songs, in an Al Jolson/Eddie Cantor style.
Armed with a camera and eighteen clean pairs of underwear, Josefien Hendriks hitchhikes The Netherlands and askes passengers questions about faith, friendship, love and death.
Dead Nerve - short film
Three bachelors establish a service center for women, initially intended for sex, but instead it becomes a multi-purpose service agency. There is a grandmother who asks them to read comic books to her; there is also a woman who wants them to wash her carpets. But one of them always gets the most enjoyable part, which is the sex service for lonely women, or even to torture them by request. He also gets a girlfriend, who lives in Singapore, and accepts his profession.