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An anthology of horror shorts presented by Dr. Fry.
This documentary is a history of The Residents hosted by Penn & Teller. It contains excerpts from most of their videos and some are in their complete form. It also contains the complete "Don't Be Cruel" video, their performance of "From the Plains to Mexico" and "Teddy Bear" on Night Music, and other TV appearances.
A small group of teenagers are trapped in a deserted movie theater and stalked by a crazed B-movie actress out to kill for the demise of her career.
Let the Scream be heard is an international documentary aiming to discover the secret behind the Norwegian artist Edvard Munch’s greatness, an artistic study investigating the secret behind the universal and timeless essence of Edvard Munch’s art. What is it about Munch’s art that touches us today, more than 150 years after his birth? To find the answer we need to travel back into Munch’s mind. We see his creative processes, hear his own words, perceive his values and philosophy and experience the mysteries of his life as expressed in his works.
A short film by Dark Infinty
A sexy blond hairdresser from the mid-west inherits her father's Beverly Hills apartment complex along with a creepy gardener and a slew of murders. Things get complicated when the detective on the case falls for her. Slashes, gashes, sex and surprises abound in the murder mystery.
Documentary about the making of "The Tingler" (1959).
A couple living together in an apartment in the city face a hard decision after an ambiguous turn of events.
The Planet Screams as the sunflowers shift into one another causing a dizzing effect on the viewer
Live at the Hammersmith Apollo
"A phantasmagoria of light, stretched across a pair of nights and days. The emphasis here is on performance, and the accumulation of seeing, the visible palimpsest of memory that arrives in bursts of overexposure or else staggered views of the same scene. What other medium can bring together the gifts of prophecy and nostalgia? A deftly lensed stage show gives way to a staging of childhood, and then a woman who is also a child emerges from the scrum, reminding us, like Freud, that our deepest pleasures are infantile. The sensation of colour. Those shapes." —Mike Hoolboom
“I was walking along a path with two friends – the sun was setting – suddenly the sky turned blood red – I paused, feeling exhausted, and leaned on the fence – there was blood and tongues of fire above the blue-black fjord and the city – my friends walked on, and I stood there trembling with anxiety – and I sensed an infinite scream passing through nature.” Edvard Munch, 1893
Set in the early 1900s, this erotic thriller follows the return of Amelia to her now deceased grandfather's plantation where her cousin Karlotta and her husband Hans now live. Amelia's return sets the stage for a violent confrontation between herself and Karlotta over Amelia's love affair with Hans years earlier.
Rinsing out all the classics for the best home crowd
A Man Screaming Is Not a Dancing Bear explores issues of ecological witness-bearing and environmental justice within a framework of the traumatized landscape of post-Katrina New Orleans.
A chaptered short about connection, heartbreak, and pain.
B-movie Scream Queen Dana Lewis is tired of playing the helpless victim in straight-to-video movies and dreams of becoming a serious actress. After getting her "big break" as the lead in an independent film, the Scream Queen is forced to work on location in the Mojave Desert where she gets more than she bargained for - an obsessed fan as the director and a cast and crew of local weirdos.
Linnea plays Malicia Tombs, a well-known horror actress who dies in a car accident under mysterious circumstances after leaving the set of her latest movie. Fans and co-workers alike reflect on her life. But someone believes she was murdered and sets out to get revenge for her death!
Filmed at Olympia in London on the 26th of November 2010, this was the first time that Primal Scream had performed their seminal album 'Screamadelica' in its entirety. With the accompaniment of a gospel choir and a brass section and with films by artist JIm Lambie the band brought this brilliant album to life from the ecstatic opening of 'Movin' On Up', through the soul ballads 'Damaged' and 'Shine Like Stars' and on to the triumphant finale of 'Higher Than The Sun', 'Loaded' and 'Come Together'.