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The Orange Alternative was the most unusual and humorous opposition movement in the communist Poland of the 1980s. This is the story of its leaders and most memorable gigs.
The work consists of 6 large-scale dances, 4 sing and dance performances and a chorus. The music and dance epic also gathers colorful dances of China's nations.
The documentary follows Oleg, Andrey, and other long-distance truck drivers from all over Russia, who turned their outrage against the 2015 bill that required truckers to pay taxes when driving on federal roads into a 9 month long protest.
After WW2, a group of partisans comes to a bourgeois family in order to teach them singing and declamation of new songs. The family soon forgets their old customs and principles.
Directed by the Iranian Students Association.
A unique historical portrait of the Palestinian people's struggle to produce their own image. Using material long hidden in archives across the globe, the film reaches back through the modern history of Palestine and reverses decades of colonial dominance with a mosaic of struggle from the perspective of the colonized.
2017 marks the centenary of one of the most significant events of the 20th century - the Russian Revolution. Using the private journals of Pierre Gilliard, tutor to the Romanov children, this film is an intimate and eye-opening account of the Russian Imperial family in those days of turmoil. How did they get through their days? How did they perceive their lives as their world crumbled around them?
Greece, 1977. A proposed law brings gay men and “transvestites” together in a historic event and sparks the creation of the first Greek LGBT movement. For the next 13 years, AKOE and its magazine Amfi, would define the way LGBT Greeks think about themselves. This film celebrates their story and legacy.
A video piece featuring Jack Nicholson, Bruce Dern and others discussing the production history of "Drive, He Said."
A short film from the 29th Pia Film Festival.
Kuma is an author, a sex obsessive and a wheelchair user. Beautiful and volatile Ryoko is unlike anybody he’s ever met before. She barrages into one of his lectures, demanding to know why he only talks of sex, not love, before declaring her own affection. It’s the first of many inappropriate acts by Ryoko and the start of a relationship that is by turns sweet, strange and toxic. Ryoko hopes that she and Kuma’s love can change the world. What she fails to realise is that sometimes it’s the small gestures, not the grand ones, that feel most revolutionary.
In 1972, Xu Xing wrote the first love letter of his life and sent it to a girl in school, whose parents had been sent to the countryside. Not knowing, what to do with it, she showed the anonymous letter to her teacher. Xu Xing was identified as author through his handwriting, and was detained…In this autobiographical piece, Xu Xing tells the story of his own experiences of the Cultural Revolution by tracing his personal encounters of the past in contemporary China.
Two boys and a girl perform a violent act in the name of the ideals they believe in, but a tragic accident will challenge their convictions.
The story of the Black Panthers is often told in a scatter of repackaged parts, often depicting tragic, mythic accounts of violence and criminal activity; but this is an essential story, vibrant, human; a living and breathing chronicle of a pivotal movement that birthed a new revolutionary culture in America.
The film is about Franco Grillini, a somewhat late-blooming gay politician from Bologna, born in 1955 into a farming family, with a degree in education, who has always been active in the fight for the recognition of gay, lesbian, and transsexual civil rights.
A gifted guitarist Ray opposes Dr. Zemp, owner of a music tax agency. To destroy the resistance movement formed around Ray’s band “Razor Jet”, Zemp and his sister Niniva hatch a diabolical plan – to transform Razor Jet into a boy band.
Masao Adachi's first new film in six years that secretly started filming at the end of August. About the life of Tetsuya Yamagami, suspected assassin of former Prime Minister Shinzo Abe.
Seville, 1977. At a time when homosexuality is a crime, Reme, a traditional mother moved by the love of her son, an adolescent aspiring artist, will become involved in the Andalusian LGBTQ+ movement, paradoxically born in the bosom of the Church.
A tribute to Mallarmé that not only asserts the continuing relevance of his work but also confronts its literary ambiguities with political and cinematic ambiguities of its own. In outline, the film could not be more straightforward: it offers a recitation of one of Mallarmé’s most celebrated and complex poems (it was his last published work in his own lifetime, appearing in 1897, a year before his death) and proposes a cinematic equivalent for the author’s original experiment with typography and layout by assigning the words to nine different speakers, separating each speaker from the other as she or he speaks, and using slight pauses to correspond with white spaces on the original page.
A simple journey from point A to point B turns into an equation with a lot of unknowns, if you are 20 years old and you are Kolya.
