Complet Revolution Of Our Times Vostfr

"In The Trenches Of The Pink Revolution" offers an inside perspective on the remarkable rise of volunteerism that transformed electoral campaigning in the Philippines in 2022. The documentary delves into the strategies employed by the Leni Robredo campaign team in engaging various volunteer movements that fueled the "pink movement." Reflecting on the year following the election results, the film examines the current landscape and contemplates how we perceive hope for the future.

This documentary tells the forgotten stories of some of the most influential personal computer pioneers in the San Francisco Bay Area. In the late 1960s, big mainframe computers owned by large corporations and the government were seen as tools of control. The Hippie movement and the anti-Vietnam war protests served as a hotbed for a revolutionary idea: creating an affordable home computer to be used by ordinary people as a counterbalance to Big Brother. Well, the rest is history, but what has happened to the early ideals and the initial ethos of free sharing? As one of the visionaries puts it: Its true that what I helped to create is todays establishment. Thats what I was trying to get rid of:the establishment.

It never occurred to Syrian filmmaker Nidal Hassan and Lilibeth Rasmussen (Danish artist) that the day of their arrival to Damascus - March 16, 2011 - would be the day preceding the announcement of the uprising in Syria. Between Damascus, Sweida and Ein Al Arab, the film tries to gather details of stories of absent women and other women who would present their own testimonies about themselves and about love, life, death and sometimes about the revolution. Difficult months go by, friends disappear unwillingly in jails, and friends leave forcefully… and a longing to freedom, dignity and justice for which Syrians have conferred a lot of blood. Nidal moves around with his camera in attempt to record Syrians' daily journals subjected to pain, oppression, blood and hope. Between Damascus and Copenhagen, two filmmakers from two different cultures try to tell real stories of love, life and death in the age of the revolution.

Red Guards were a student movement supported by Mao Zedong in 1966-67 during the Cultural Revolution. A group of students at Qinghua University who issued 2 big-character posters in May-June 1966 called themselves Red Guards. The students criticised the university administration of elitism and bourgeois tendencies. In August 1966 Mao Zedong expressed support for the Red Guards. This gave the student movement political legitimacy and it spread outside Beijing. The Red Guards started to attack the Four Olds and marched across China to eradicate old ideas, old cultures, old customs and old habits. Ultimately the struggle between different Red Guard factions led to a chaotic civil-war-like situation. During 1967-68 the Peoples Liberation Army got the movement under control and restored social order. Beginning late 1968 members of the Red Guard movement were sent to the countryside to undergo re-education. We met and filmed them in August 1971.

This is the story of the ’68 generation in Iceland. Icelanders who participated in the turmoil that characterized this period tell of their experiences, their backgrounds, and explain why thousands of young people fought for their values in defiance of the prevailing attitudes of previous generations.

This time we hacked Ema Futaba. A lovely baby face with a charming hip and E-cup bust! !! The short, brightly colored hair matches Emma's refreshing and cheerful character! At first, Emma was nervous and ticky, but her natural brightness made it easy for her to get along with the staff. From the middle of the shooting, it looks like a fish that got water and shows a glimpse of a large scale! !!

Tsumugi Akari appears in the "Hacks Bishoujo" series, which releases the eggs of gravure idols into the world. Tsumugi-chan is beautiful like a doll with clear white skin and a neat small face. No matter where you look, don't miss her charming brilliance!

Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight. “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”

In this high-concept visual essay, writer and broadcaster Lindsay Johns reframes the history of the Caribbean to tell a new story. Not the traditional narrative of suffering and adversity but a celebratory one of superheroes and epic wars, unceasing resistance and never-ending rebellion, told through the stories of four inspirational leaders and their modern-day spiritual descendants.

Immortal Technique emerged from prison a changed man. As his inner journey continues he travels the world promoting a revolution of consciousness through hip-hop. His path from a troubled youth to a fearless revolutionary is an inspirational must-see.

In order for the revolution to live up to its promise, might love be the missing ingredient? Artist Dora García delves into the archives and finds in the searing writings of Alexandra Kollontaï, an early-20th-century revolutionary, a precious ally of queer and feminist movements in Latin America and elsewhere. A joyfully militant political film."

In 1978, just after Le fond de l'Air Est Rouge, which mercilessly analyzed the previous ten years of the revolutionary left's momentum until its collapse, Chris Marker made this complementary piece entitled Quand le Siècle a Pris Forme (Guerre et Révolution).

A film by Jerome Laperrousaz, showing the festival at Amougies, October 1969.

A documentary about Romania after the 1989 Revolution.

Documentary about the participation of women in the Nicaraguan Revolution.

The two decades following the Russian revolution are marked by a gang of young people who profoundly influenced Russian Cinema. This artistic revolution was led by directors, actors, technicians and poets. They are the characters and voices of our film. The Soviet Actress, Ada Voistik, and its camrades tell us the story of this unique period, through the images of soviet fic-tional works produced between 1917 and 1934. We can thus catch a glimpse of their fight for a new society, where creative freedom was of utmost im-portance. A utopia which will be brought down by an authoritarian power impacting cinema as much as the rest of society.

Far from intensive farming and industrial output, a revolution is already under way; good red meat has become a rare, indeed, luxury product. But where is the world's best steak found? Franck Ribière and his favorite butcher, Yves-Marie Le Bourdonnec, generous, charming, and ecological, set out to meet the new players in the field to try to understand what makes a cut of meat good.

Brecht′s 100th birthday is being celebrated on 10 February, 1998. A good enough opportunity to examine his life closely again. The film director Jutta Brueckner is mainly concerned here with the question of the kind of person Brecht was. We have known him until now as the brilliant author and theatre director, through his plays themselves; we also know him as the cultural flagship of the GDR along with his world-famous Berliner Ensemble.

Province of Quebec, Canada, the Maple Spring, 2012. Driven by frustration and the desire to find a new life, Klas Batalo, Ordine Nuovo, Tumulto and Giutizia form a counter-cultural group, a radical cell guided by a deep hostility to the established order that they manifest through terribly ambiguous political expressions, Molotov cocktails and guerrilla tactics, seeking to sow mayhem in Montreal as a prelude to the overthrow of the government.