Complet Revolution Of Our Times

It never occurred to Syrian filmmaker Nidal Hassan and Lilibeth Rasmussen (Danish artist) that the day of their arrival to Damascus - March 16, 2011 - would be the day preceding the announcement of the uprising in Syria. Between Damascus, Sweida and Ein Al Arab, the film tries to gather details of stories of absent women and other women who would present their own testimonies about themselves and about love, life, death and sometimes about the revolution. Difficult months go by, friends disappear unwillingly in jails, and friends leave forcefully… and a longing to freedom, dignity and justice for which Syrians have conferred a lot of blood. Nidal moves around with his camera in attempt to record Syrians' daily journals subjected to pain, oppression, blood and hope. Between Damascus and Copenhagen, two filmmakers from two different cultures try to tell real stories of love, life and death in the age of the revolution.

Red Guards were a student movement supported by Mao Zedong in 1966-67 during the Cultural Revolution. A group of students at Qinghua University who issued 2 big-character posters in May-June 1966 called themselves Red Guards. The students criticised the university administration of elitism and bourgeois tendencies. In August 1966 Mao Zedong expressed support for the Red Guards. This gave the student movement political legitimacy and it spread outside Beijing. The Red Guards started to attack the Four Olds and marched across China to eradicate old ideas, old cultures, old customs and old habits. Ultimately the struggle between different Red Guard factions led to a chaotic civil-war-like situation. During 1967-68 the Peoples Liberation Army got the movement under control and restored social order. Beginning late 1968 members of the Red Guard movement were sent to the countryside to undergo re-education. We met and filmed them in August 1971.

This is the story of the ’68 generation in Iceland. Icelanders who participated in the turmoil that characterized this period tell of their experiences, their backgrounds, and explain why thousands of young people fought for their values in defiance of the prevailing attitudes of previous generations.

This time we hacked Ema Futaba. A lovely baby face with a charming hip and E-cup bust! !! The short, brightly colored hair matches Emma's refreshing and cheerful character! At first, Emma was nervous and ticky, but her natural brightness made it easy for her to get along with the staff. From the middle of the shooting, it looks like a fish that got water and shows a glimpse of a large scale! !!

Tsumugi Akari appears in the "Hacks Bishoujo" series, which releases the eggs of gravure idols into the world. Tsumugi-chan is beautiful like a doll with clear white skin and a neat small face. No matter where you look, don't miss her charming brilliance!

Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight. “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”

In this high-concept visual essay, writer and broadcaster Lindsay Johns reframes the history of the Caribbean to tell a new story. Not the traditional narrative of suffering and adversity but a celebratory one of superheroes and epic wars, unceasing resistance and never-ending rebellion, told through the stories of four inspirational leaders and their modern-day spiritual descendants.

Triptych collage film regarding the history of revolution.

Immortal Technique emerged from prison a changed man. As his inner journey continues he travels the world promoting a revolution of consciousness through hip-hop. His path from a troubled youth to a fearless revolutionary is an inspirational must-see.

In 1978, just after Le fond de l'Air Est Rouge, which mercilessly analyzed the previous ten years of the revolutionary left's momentum until its collapse, Chris Marker made this complementary piece entitled Quand le Siècle a Pris Forme (Guerre et Révolution).

A film by Jerome Laperrousaz, showing the festival at Amougies, October 1969.

Jia Zhitan investigates the One Strike-Three Anti campaign in his village.

A documentary about Romania after the 1989 Revolution.

Documentary about the participation of women in the Nicaraguan Revolution.

What motivations led Francisco I. Madero to believe in democracy, in the effectiveness of suffrage, in free citizens committed to their destiny? That short man with a kind smile and luminous gaze awakened the conscience of society in 1910 through his spiritual convictions. From that trench, Madero prepared to include the democratic crusade of 1909 that gave rise to the greatest social transformation of the 20th century: the Mexican Revolution, the revolution of the spirits.

The 60s was the birth and ascension of the French New Wave. Characterised as an avant-garde film movement and created by directors like Godard and Varda, it give birth to iconic actors such as Bardot and Belmondo.

The two decades following the Russian revolution are marked by a gang of young people who profoundly influenced Russian Cinema. This artistic revolution was led by directors, actors, technicians and poets. They are the characters and voices of our film. The Soviet Actress, Ada Voistik, and its camrades tell us the story of this unique period, through the images of soviet fic-tional works produced between 1917 and 1934. We can thus catch a glimpse of their fight for a new society, where creative freedom was of utmost im-portance. A utopia which will be brought down by an authoritarian power impacting cinema as much as the rest of society.

Province of Quebec, Canada, the Maple Spring, 2012. Driven by frustration and the desire to find a new life, Klas Batalo, Ordine Nuovo, Tumulto and Giutizia form a counter-cultural group, a radical cell guided by a deep hostility to the established order that they manifest through terribly ambiguous political expressions, Molotov cocktails and guerrilla tactics, seeking to sow mayhem in Montreal as a prelude to the overthrow of the government.