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A tragicomic story about Lady Poverty who, unmistakably and without any hesitation, catches one lazy fellow after another. However, she is helpless when she comes across a diligent and work-loving fellow. Poverty simply cannot be destroyed, but it can be defeated.
Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…
Harumi is an ordinary university student, preoccupied both with relationships within her family and off-hand remarks by her friends. Her older sister Reiko wants to get married, but faces opposition from her mother and those around her. Gradually the two find themselves in constant conflict—the kind that develops between people who care about one another.
