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At the time this film was made, motion picture theaters were required to pay a 20% tax on gross ticket sales, and Congress was debating lowering this tax (as well as others) in a bill being considered by a Congressional committee. This film, which was made especially to be shown to members of the committee, sets forth the motion picture industry's case for reducing, if not eliminating, the tax.

A heavily indebted film producer tries to get back on his feet by producing a film starring Kim Novak. He also hopes to start a new relationship with his estranged son.

Hoài and Vận fall in love during the war against the French. Vận fought as a guerrilla and Vận ferried guerrillas across the river. When peace comes, Vietnam is divided in two across the Bến Hải River, leaving them separated.

Anat Gov, one of the most influential playwrights in Israeli theatre, is preparing for her death. She asks Arik Kneller, an artists' agent, to be the executor of her will. Arik struggles to accept the humor and serenity with which she faces her upcoming end. Anat, consciously accepting her nearing end, wishes to leave a spiritual legacy: there can be a happy ending. Almost a decade after her death, her loved ones try to fill the void left by her words with their own. Through excerpts from her plays and footage of her family and political world, a new script is written: one in which the line between the play and reality is blurred.

A little girl tricks a nasty boy into thinking that the "rocketship" she built has taken him to the moon.

This story is about a journey, a relationship and returning home. He has already been driving his truck for twenty years throughout Russia while she waits him at home. He is alone on the road. She is together with her beloved pet, faithful friend and protector Irbis. This could continue for longer if he was not terminally ill.

They are back together again. But it's not as easy as you think. When the past has not yet been fully told. Confronting the past becomes inevitable.

Tiba joins Iraq’s youth protests where she braves bullets and tear gas with the hope of reclaiming her nation.

A musician walks the Camino de Santiago with a cello on his back.

With 500 horsepower under the hood across Europe: Anyone who thinks that the truck industry is only for real guys has not yet met the female protagonists of this (…) series. No matter whether heavy transport, trailer, refrigerated truck or tipper: Moni, Christina, Anne and Janet have everything under control in the driver's cab. They drive fat trucks along the highways. It doesn't matter whether you are a man or a woman. The job remains the same even with painted fingernails under work gloves. In this highly competitive business, there is a risk of breakdowns and traffic jams along the way. Sitting on the fence with deadline stress is often no walk in the park. But the “Trucker Ladies” like to be on the road – it’s in their blood. (Text: DMAX)

It's March 26, 1988 at the Hammersmith Odeon, London... yes, it's Magnum in action. Once more set to stun, amaze and tantalise with their unique stance of high octane, melodic rock music. The lights dim, the curtain rises and the crowd roars, prepare yourselves... here come the troops. The songs stand tall, proud and invincible, some brand new material aired along-side many much-loved classics. Just wait and see what wonders Magnum have got in store for you.

An alien and bigfoot (who shaves his arms, legs and face to look as if he is wearing a sweater) try to blend into the human world while avoiding capture.

Nancy Allen on 'Blow Out'

A behind the scenes look at the filming of the movie Shaft (1971). The movie's director, Gordon Parks is seen directing a couple of fight scenes which he wants to get in as few takes as possible due to the set-up time and the danger involved in the stunt work. He is also seen speaking to the composer of the film score, 'Isaac Hayes', about the overlaying of the music over one of those fight scenes, and what he wants musically for another scene involving the lead character, John Shaft, moving through Times Square. The latter would eventually become the movie's iconic theme music. Being a frenetically paced action movie, he also works closely with the film's editor, Hugh A. Robertson.

After his village is attacked, a cowboy steals a black sphere. The mysterious object changes hands and it finally arrives to a bandit camp. The Indian girl who is carrying the sphere is captured and tied to a big cross. The cowboy confronts the bandits, in the attempt to have the sphere back, but they are all distracted by the arrive of the obscure owner of the craved object. The fight is ruthless, dramatic. Only the girl tries to escape, but she will have to meet her fate.

This found 8mm film of underwater ballet has a red rust effect flowing through it like living fire.