Complet Noon Streaming

A pink film from 2015

Lāhainā Noon interweaves three separate short stories that occur during the yearly tropical solar phenomenon in which the sun passes directly overhead at noon so that upright objects do not cast a shadow.

Four episodes combined. Dawn: the first cop goes to interrogate the parents of a babygirl who got burnt by an iron. These, eventually admit to be the one responsible but they state it was an accident. Going back on a bus, he reads a newspaper article reporting another case of violence against minors. Noon: the moustached cop cop collects the report of a mother regarding the presence of perverts in her building. A thirteen-year-old girl is spotted with a man in equivocal acts: when she is interrogated she shows no signs of anxiety. Dusk: in a nursing home a guest kills another old man with an axe. He is interrogated by the older cop who, once back home, talks with his wife and daughter while watching sadly TV. Night: the fourth cop is in a disco when he gets the call that a collegue’s wife was the victim of a hit and run. The following morning he goes back to the office.

With the powers of hell at his disposal, Frank, a blood-thirsty outlaw from the old west, is resurrected to seek his revenge on the present day town of Weston.

Narcolepsy, siblings, nudity, and senility combine for the best kind of road trip. Or do they?

High Noon Toons was a 3-hour programming block of cartoons hosted by two cowboy hand puppets named Haas and Lil' Jo shown on Cartoon Network in the mid-1990s. The series was made by Matt Thompson and Adam Reed, who would later go on to create adult-themed cartoon series such as Sealab 2021 and Frisky Dingo for Adult Swim and Archer for FX. Often the show would have special themes, such as "Quick Draw McGraw: Pure Mustang". Haas and Lil' Jo also hosted Cartoon Network's "Spring Break '95", where the two would be on a beach setting with bikini-clad Barbie dolls, and would show Spring Break-related cartoons. They also hosted the Thanksgiving Cartoon Parade in 1995.

Former Marshal Will Kane and his Amish bride, Amy, return to Hadleyville a year after he resigned and find the town in the grip of a bounty-hunting marshal and his two trigger-happy deputies.

Writer Alan Bennett visits a hotel in the north of England, observes the guests, and reminisces about his experiences of staying in boarding-houses as a child.

Cowboys trade lewd stories in the spirit of one-upmanship. Beer guzzling, bestiality and hellfire: it must be a Phil Mulloy cartoon.

An unfinished short student film about dreaming

Everyday in Halifax, a ceremonial blast fires from a canon. The Noon Gun sends a rattle through the old wooden homes of the North End. Within one of these homes, an elderly woman dotes over her graffiti writer grandson. An interracial couple walk tensely down a side street. A recovering alcoholic cop lectures his street-wizened young partner as they walk the beat. On one day in particular, the Noon Gun blast ties these groups into a sequence of events. As these events unfold, each group’s perspective grows, obscuring reality and ultimately effecting each other’s lives.

High Noon is the meeting between the Southern Californian landscape with that of the South-Eastern landscape of Onomichi Japan as an experience of the gravitational pull towards the center of the earth, with the knowledge that we are sometimes standing on the world upside down. We briefly glimpse each landscape as a dizzying series of loops that seem to repeat themselves endlessly.

Shambhavi Kaul sets up dialectical dread in Death Valley in a series of uncanny shots of geological formations, eroded mountains, dunes and dried lava contrasted against images of shimmering night skies.

The drama, adapted from a story by Katherine Anne Porter, tells of a Swedish immigrant who arrives on a small Texas farm at the turn of the century for work, is hired, and subsequently, and inadvertantly, causes the downfall of his employer when a suspicious visitor comes to call.

Women in Latin American telenovelas of the eighties and nineties.

A dark tragedy about a farmer's futile act of homicide that takes place on a small dairy farm in southern Texas during the 1890s. Sam Peckinpah directed this original adaptation of the Katherine Anne Porter novel for ABC, and the project became an hour-long presentation for ABC Stage 67, premiering on Nov. 23, 1966.

Blue Noon is an avant-garde film inspired by the works of Franco and Rollin that intertwines several directors’ visions of various time periods of the desolate immortal life of a mate-hungry seductress who has a mysterious connection to the sea.

Two mercenaries are hired to commit a political assassination.