Complet Lullaby Vostfr

Variations on the theme: today over 300 000 children are fighting wars across the world.

Based on real events, a woman, who decides to break her arms to become the embodiment of beauty - Venus - and causes a tragedy.

‘It’s springtime’, a little bird stealing the filaments of my window screen reminded me this morning. ‘The sun in shining, the sky is blue, the trees are blossoming pink flowers and there is a wide world to be explored…what are you doing indoors?’ This 2002 video by artist Pipilotti Rist seems to be proposing a similar criticism in her reframing of concepts of time, season and the human lifespan.

The prologue of Mont's ongoing film project 'The Scattered World' (working title), based on his research into the subnational conflict in the deep south of Thailand. Mostly written by the locals, the traditional lyrics of lullabies often reflect their ways of life, doctrines, and unique mixture of languages.

John and Sarah have it all. A happy marriage, two wonderful children, and a beautiful house in a picturesque neighborhood. They're truly living the American Dream, until the sun sets over their new home, and an unknown terror steps out of the shadows. Sarah is missing. A mysterious caller has their eyes set on the children. And a neighbor knows more than they'll admit. With the safety of his family at stake, John propels himself into a chaotic spiral of violence and blood of which he may never return, all to protect those he loves the most.

A documentary essay on coming of age and the power of the unconscious. In the same vein as Sweatlodge Song, this is a message of courage and hope.

The story of a mothers love for an unborn child and how the time has come to leave the memories safely behind and move on.

A woman has visions of a dream come true.

Girl sings a Madonna song and texts about her life.

A women is singing a Lullaby to a new born child on a cradle.

At a noisy inn, a young servant woman tries to sing a baby to sleep. The innkeeper and his wife berate and abuse the servant. Later that night, in hunger, misery, and desperation, she leaves and wanders through a Chagal-like landscape. The baby's cries wake up the innkeeper and his wife. Where has the woman gone? For whom is the lullaby?

One evening, a young man falls into a depressive state. Non-narrative art story that demonstrates the beauty of gloomy moods to the viewer. Doomsday poetry.

A young girl struggles to survive the apocalypse in her own, very special way.

A young family lives in a mountainous area near a small lake. Their baby is sick. Nothing helps. The father prays to the gods, tying ribbons to the sacred tree. He invites baksy to the house. Baksy discovers an evil spirit that strangles the life force from the child. He fights against the dark forces, but he defeats, and the exhausted baksy leaves their house, letting the helpless parents alone in their misfortune and misery. At night, the desperate mother goes to the lake and begs the great Umai Ana for help. With the rays of moonlight, the goddess of motherhood and family hearth appears in the yurt. There starts a fierce battle between good and evil for the life of a child. An ancient lullaby, intertwoven with ancient prayers, runs like a red thread through the entire film. It is the last thing the parents cling to hope in their hearts, and it becomes a hymn of victory over evil, light over darkness, and life over death.

The film director’s message addresses the modern world’s vital problem of loss of consideration for an individual man, who is an object requiring global-scale compassion and contemplation. The scenes that were made in a pseudo-documentary manner of the rebellious 1970’s remind of medieval Pieta exalting self-sacrificingness, pain, suffering and religious ecstasy. Richard ‘Hell’ Meyers, one of the representatives of the rock culture of the 70’s, came up with a term of ‘blank generation’ (the term may evidently be interpreted as a ‘lost generation’) to describe himself and his friends and thus advanced a philosophy of people seeking self-destruction. They get involved in meaningless and deadly situations to find a justification for living their lives. The film represents a story about wounded young men, who find themselves on an island and meet there a girl sailing the seas in a military launch, as a metaphor for an attempt to save the ‘blank/lost’ generation.

On 11 June 1986, one day after Morocco wrote football world cup history by scoring a surprising victory over Portugal, government official Daoud is ordered to secure a bridge outside Casablanca that sits between two hostile communities over an empty highway. Here, he is to await the expected but by no means certain visit of King Hassan II. Encounters with government supporters and the families of political prisoners; the mysterious appearance of a foreign woman and a Berber, as well as the story of a football crazy boy all prove to be a bit much for Daoud. Ever since the bloody ‘bread riots’ five years earlier, he has felt paralysed. But the euphoria and the hope he encounters here help to lift his mood. The Moroccan team’s success unleashes a new self-confidence and lust for life that transcends the surreal shadow of the monarchy.

Lullaby, a reserved, lonesome actress goes to an underground club one night and meets a man named CT. Lullaby Blues details the story of the formation and eventual destruction of their relationship.

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A girl is still dealing with the death of her father. In the midst of her relationship with a detached mother and her own struggle to find peace, she must confront an old wound she deeply buried.

An intimate portrait of daily life for a lonely, yet independent, woman who is hounded by her own relentless inner monologue. We are plunged into the melancholy, doubts, fears, and hesitations of the heroine through Sarah Taibah’s personal and moving performance, meticulously captured by Hisham Fadel.