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At a dinner party, a hostess serves her guests a dish made using meat from a bull. While most of them enjoy the meal, one man has a strange reaction: Taking a set of horns off the wall, he attaches them to his head and sets off on a rampage. After destroying the house and terrifying his hostess, her guests, maid, and neighbours, he takes to the streets. The police sends a telegraph to Spain asking for help, and in response a parade of matadors arrive in Paris, ready to slay the crazy beast-man. However, soon after the man-bull fight begins, the errant guest comes to his senses and is taken into custody by waiting policemen.
A penniless artist has a lot of trouble and in particular a tax employee who does everything he can to lock him up. Meanwhile, he meets an African woman, daughter of King of the State of Sheba. To make him free, she asks her father to cut off oil supplies to France.
Marcel Proust's "In Search of Lost Time" is one of the great novels of world literature. The documentary immerses itself in the very own cosmos, spanning 3,000 pages and hundreds of characters, for which Proust's own world was the source of inspiration, and brings Proust's moral portrait of the Belle Epoque to new life.
Happily Ever After: Fairy Tales for Every Child is an American anthology animated television series.
Documentary about the 2020/2021 Vendée Globe, a single-handed solo non-stop round the world sailing yacht race. An unpredictable finish, a memorable rescue, a diverse cast… Such as never seen before on a Vendée Globe!
This program is presented as a report on the way the weekly Paris Match deals with information through images. Two of the newspaper's main managers explain what their job is. As a counterpoint to these interviews with image professionals, the philosopher and essayist Jean-François Revel recalls his attachment to marking the limits of information through images (source: Média Scérén)
A poetic stroll that doubles as a lilliputian ethnography and Lilliputian ethnography, filmed downstairs in the streets of Paris. It's a kind of Eux et moi in reverse, with the filmmaker directing his camera his camera to the people of his village, whom he observes through the deceptively candid eyes of a distant friend, unaware of the city and the crowd, to whom he addresses himself pretending to wonder about things that are so simple that they seem endowed with a secret life.
At the beginning of the twentieth century, two friends, one a homosexual and the other a writer, fall in love with a young divorced woman.
LE MOT COULEUR display the RGB waveform of a brief scene from 'Night on Earth' by Jim Jarmusch.