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Fifteen sketches talking, without taboo, about a burning society matter : war, health crises, extremism, being woke... A cocktail recalling the great italian comedies, a joyjful irony, an unbriled burlesque with a lot of emotions.
Rolando Colla made his directorial debut with this Swiss-French-Italian period drama about a Breton woman who disguises herself as a man to join a ship's crew during the 18th century. Rebellious 24-year-old Anne Bruneau is abandoned at the altar by her fiancé Yann. Unaware that Yann was drunk and fell down a well, Anne reacts to his absence by cutting her hair, dressing like a man, and signing on with a ship captained by a dwarf. When Yann learns what happened, he begins running south to Marseilles to rejoin her. Aboard the ship, Anne's disguise is discovered by the captain and the ship's doctor. With an Arab, she jumps ship, hiding with hookers in Marseilles while still maintaining her disguise.
A little mechanic and a delightful milliner love each other on the banks of the Marne. A schemer manages to make the mechanic her lover for a few days, but the contrite young man obtains forgiveness from his girlfriend, the only woman he loves.
A bird buzzes around a mustached man interrupting his meal.
A man and a mosquito, the latter drawn to the former's music, meet, with messy results.
Filmed over three years in the aftermath of the 2010 Haitian earthquake, Mr President follows the ascension and confusing downfall of Gaston Jean Edy.
Far from the standard fisheye lens images of skateboarders gliding over perfectly smooth concrete skate parks, The Modern Skateboarding shows us a group of skaters who think nothing of riding through mud in the atypical and unconventional skating ground of the French countryside. Somewhere between fiction and documentary, this contemplative video follows a group of skater-farmers into the remotest parts of the Dordogne region.
A “Cinéma, de notre temps” series episode directed by french film critic André S. Labarthe, originally aired sometime around 2011.
Following the assassination of young Abdennbi Guemiah by a trigger-happy man in the Gutenberg transit neighborhood in Nanterre, France, residents are fighting for justice for Abdennbi and for the relocation of the families.
Part of a gold shipment has been stolen and the Sergeant (Robert Elliott) suspects Louis LeBey (Gilbert Roland). When Louis is attracted to newly arrived Nedra Ruskin (Barbara Leonard), Woolie-Woolie (Nina Quartero) becomes jealous and tells the Sergeant where Louis hid the gold. First, Louis rescues the Sergeant whose dog team crashes chasing him and then he saves Nedra from an avalanche. When he returns the injured Nedra to the settlement, the Sergeant takes him prisoner.
When two people meet in a park, they have more in common than they think.
Aesthetic attempt in which intertwining forms, colours and dimensions are moving in such a rhythm that all landmarks are lost : are we in the world or is the world inside us? This film is a fleeting self-portrait, a projection of identity, of the human being and of his body in unexplored worlds such as space or the seabed.
Louis le Roy a.k.a. Monsieur le Fox, a trapper, is accused of stealing from gold diggers.