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Three men with a penchant for gambling on the horses soon find themselves in trouble because of their addiction. Pierre (Michel Piccoli) is the math whiz who uses his talent for picking the winners. Charles (Michel Galabru) is the wealthy scrap-iron magnate who has embarrassing evidence on many prominent political figures. Loic (Jacques Dutronc) is the aspiring politico who seeks to further his career by any means possible. Charles approaches Loic and asks his political party for a loan in hopes of fixing an upcoming race....
This documentary shows us that getting to where the rights of LGBT + people are today has been a long road full of adversity and unimaginable achievements. Until just a few decades ago: getting married, adopting children, teaching in a school as a transgender person, was impossible. Historical figures, who could be seen as heroes and heroines, supported by archive material, narrate the evolution of a powerful social movement.
Just when the school year is about to start after the summer break, 17-year-old Hedi learns that it has been decided by the administration that he must change his family name. The news troubles him and raises all kinds of questions: does changing his name also mean changing his identity, becoming someone else? Everyone around him has an opinion on the matter. It's up to him to discover his own, without becoming too lost in the process.
The phenomenon took everyone by surprise. In the span of three years, despite the mixed reception from the press upon its release in 2011, the Tuche family, a group of eccentric unemployed individuals, found a place in the hearts of the audience. With over eight million viewers during the television broadcast of the first installment and 4.6 million box office admissions for the second part, it became the biggest French success of 2016. The Tuche family has become a phenomenon. Word of mouth gave the film a second life beyond theaters, turning this tribe into the most popular family in French cinema.
This film, which was to be directed by Pascal-Angot, is characteristic of the communication war in these times of violent military conflicts. It presents a panorama of the benefits of the singular Portuguese presence, which harmoniously rubs shoulders with peoples and cultures: Macao, its cathedral, junks and casinos; the dances of the Timorese; Cape Verde and its morna; the Tchiloli Theatre of São Tomé; the riches of Angola and the development of Mozambique. And several sequences expose at length the Portuguese military power, especially in Guinea-Bissau and Angola – while a part of these countries is actually under control of the separatists. The film is punctuated by the words of Prime Minister Marcelo Caetano, who replaced Salazar in 1968: “These terrorist movements did not appear spontaneously, they originate in a neighbouring territory, and they would have disappeared if the help of the neighbouring powers had stopped. The people of our territories are fighting them.”
Pahe is African and Sebastian is European. But when it comes to great adventures, it doesn't matter in the least. Their two cultures are united and enriched by a sincere friendship, which is not intimidated even in the most difficult situations.
Thibault, Isabelle and their son Jeremie board their sailboat Joshua to sail the world and live a new life. The Gulf of Aden is watched over by Somali pirates, and while stopping in Djibouti, the happy family meets Mike, a black they know nothing about but innately trust. Inviting Mike to board the ship, the quartet travels onward in their sailboat…
A young botanist, an Englishwoman and her daughter are prisoners of a group of bandits operating in the mountains of Albania. A ransom is demanded. The capture of the gang leader's daughter, however, brings the situation to a happy conclusion.
This release contains the celebrated 2006 production of Mozart's Nozze di Figaro that was directed for the stage by Claus Guth at that year's Salzburg Festival. Ildebrando D'Arcangelo takes the title role, and gets support from Anna Netrebko as Sussanna, Bo Skovhus as Il Conte Di Almaviva, and Dorothea Roschmann as La Contessa. Nikolaus Harnoncourt conducts the orchestra.
Madame Cambronne, who is English, "it's historic", would really like to know what this famous "Cambronne word" is, which she has never heard. General Cambronne stubbornly refuses to repeat his famous saying.
A solitary cat, displaced by a great flood, finds refuge on a boat with various species and must navigate the challenges of adapting to a transformed world together.
A cop, old boy who still lives with his mother, dreams of belonging to the special forces... He goes on a hunt for masked robbers...