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The Game of Death is a documentary co-produced by France Télévisions and Radio Television Switzerland1 in 2009 and staging a fake game show (The Xtreme Zone) during which a candidate must send electric shocks increasingly strong candidate to another until voltages that can cause death. The staging reproduces the Milgram experiment carried out initially in the United States in 1960 to study the influence of authority on obedience: electric shocks are fictitious, an actor pretending to suffer, and objective is to test the ability to disobey the candidate who inflicts this treatment and who is not aware of the experiment. The notable difference with the original experience is that scientific authority is replaced by a television presenter, Tania Young.
A journey through the masterpieces and obsessions of the Genius of the Impressionism, down the River Seine, from Le Havre to Paris and then up the river towards Argenteuil, Poissy, Vétheuil, Giverny – ending in Paris. A tour of the Museums displaying Monet's masterpieces: the Orangerie Museum, the Marmottan Museum, the Orsay Museum, ending in Monet's house and gardens at Giverny.
Mussorgsky's composition is the soundtrack for this pin-screen animated take on night and wild things. A scarecrow blows down, clouds move by quickly. Beings take shape; a town appears, animals flee, and a horse gallops by. A child looks on. Monsters run and float by: the phantasmagoric is everywhere. A woman's figure tumbles through space. A clash ensues. The horse falls. Goblins take control. The night and its denizens are relentless. Forms appear and become grotesque. Will dawn and calm ever come?
With their hit song "Creep" Radiohead had their international breakthrough in the early nineties. They were first dismissed as a "nerd band" but since then have succeeded in redefining their style with each subsequent album. This documentary focuses on the band's conflicting relationship between immense popularity and artistic integrity.
With the help of a hidden twin sister, a couturier tries to take revenge on his wife who cheats on him with his partner.
A funny, charming faux-fairy tale about ogres, knights and maidens.
The parish priest looks to create a Nativity scene for his church, but his congregation is too poor to afford the statuary dealer's price for a statue of baby Jesus. The miracle, then, is that the faithful's prayers are answered by the appearance of angels and the Virgin Mary, who present them with a statue.
An artist attempts to touch his model who is playing Venus. Later remade in 1900. While the film is lost, there is a new digital version based on re-creation from a flipbook produced by Léon Beaulieu around the same time.
Obscure French version of the original Godzilla. The film combines elements of the original Toho version and the American King of the Monsters! in a unique assemblage exclusive to the Francophone market. Released by Les Films du Verseau.
An ad for an advertising company, consisting of 7-second sequence shots by 13 directors.
Through a series of leaps in time from the 1970s to a post-Anthropocene future, we follow in the footsteps of a mysterious creature.
The story of a journey through the mountains of Africa, conceived and realised by Giorgio Moser, with mountaineer and writer Stefano Maestri. The journey of documentary filmmaker Moser and mountaineer Maestri, both born in Trento, goes up the continent's peaks following the trails of mythology and legends, without neglecting the ancient culture of the different populations they meet along the way
Claire Simon goes to Lussas, in France’s Ardèche, home to a vibrant community of documentarians. She films the creation of Tënk, an online platform for auteur documentaries. The initiative is a labour of love for the passionate and optimistic people behind it, but the process is long and arduous, as cultural projects often are. The filmmaker followed them for months, capturing their doubts and dilemmas: how do you manage everyday conflicts? Be accepted by a rural population that you aren’t part of? By the general public? Reconcile private life and professional calling? Reassure the mayor? Secure funding without making ethical compromises? A fascinating, bittersweet and insightful behind-the-scenes film. (Apolline Caron-Ottavi)
Currently, post pandemic, one in two young people show symptoms of anxiety and depression. The World Is Ours is a film that gives the opportunity to six Montreal teenage girls to leave their urban environment for the first time to take part in a nature canoe-camping expedition. By presenting their struggles and small victories, the film poetically and luminously embraces their vulnerability, emphasizing in broad strokes the power of female sisterhood and therapeutic intervention by nature. Using an intervention cinema approach and seeking to democratize access to the outdoors for marginalized communities, the production of the film took on the responsibility of defraying the costs of the expedition for these six young women.
When her biological clock starts ticking, Lucie tells her lesbian lover, Marion, that she wants a baby. Marion agrees, and the couple embarks on the delicate process of finding a suitable father -- eventually settling on Marion's old pal Hugo. Lucie and Marion's unconventional path to pregnancy elicits a full range of reactions from their friends and family in this charming French comedy.
The main character is a woman trapped in the long stifling marriage in a boring province. She has an affair with a traveling photographer, follows him to Paris, and then has a series of unsatisfactory but interesting relationships, one of which is with a woman.
Le Monde Impatient is an episode of the Filmed Diaries that takes place in New York on the occasion of my second visit to the city. It's a long wander through Manhattan, the Bronx and Queens. The end of this episode of Filmed Notebooks takes me to my favourite French regions: the Vivarais, the Velay and Saint-Marcellin, at the foot of the Vercors, where I lived as a child in the 1950s.