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A French agent goes after a gang of Asian terrorists who plan to blow up an American nuclear aircraft carrier.
Jean Pierre, a young Parisian salesman, decides to go on vacation by hitchhiking at random. Taken as a jaguar by a rich man, he finds himself invited to his villa in Saint Tropez and discovers a luxurious, idle and decadent universe. A tasty TV movie, written and directed by Michel Polac, with a very young Fabrice Luchini.
The "Védrines", whose head of family is a publisher, are well established in Paris. The "Pittuiti", on the other hand, are gypsies camping out in the suburbs. Young Zita belongs to the tribe and meets Théo Védrines, the publisher's son, a wild seducer. Zita is soon forced to tell her family that she is expecting a child. A scandal for the Pittuiti family, who instruct Zita's brother to apply the law of retaliation, Bruno must in turn seduce the pleasant Gisèle Védrines. And why not? But while Théo gradually becomes an anarchist, Bruno becomes more and more embourgeoise as Védrines discovers in him a real talent for writing. Still, Bruno and Gisèle will be as happy as Théo and Zita ever were.
Robert's peaceful existence as a manufacturer of beauty creams is suddenly disrupted by the arrival of little Zizi, whose upbringing is entrusted to him in his will.
An evening in a Parisian building where we discover nine situations that each evoke a hot topic of society: health crisis, feminist struggles, transhumanism, Islam, identity movements (non-exhaustive list!)... Without any judgment but with humor, sometimes burlesque, sometimes grating, and the whole sprinkled with a good dose of emotion. And all these colorful characters will be reunited in a flamboyant finale.
If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.
How can man appropriate a space to live there in safety, in society and above all in harmony with the surrounding environment? It is Philippe Simay, humanist and philosopher, who takes us into this true epic of Human Habitat and sets the tone for the journey. Philippe is a tireless surveyor of the city, an explorer of living spaces. Determined to travel the world, Philippe decodes the way in which the inhabitants he meets appropriate space, shape it and adapt to it.
In Haute-Provence, two rival farming clans clash over the four seasons of the year. A young lumberjack, who has gone up to Rebeillard country to fell trees, has not been heard from for several months. Concerned by his long absence, his father sets out to find him. Antonio, known as "Bouche d'or" (Golden Mouth), the man from the river, accompanied him out of friendship; the two of them toiled together for long days, but one night, at the edge of the wood, they discovered a blond woman lying on the ground, giving birth to a child: it was Clara, a young blind woman.
Alexandre, an instructor at the Canadian customs college, returns home to his small town after his employer places him on compulsory leave. As he forms a new friendship with a female Icelandic drag racer, he finds himself under surveillance by police investigators trying to get to the bottom of the sexually explicit drawings that have been troubling the town.
Erotic comedy about an incorrigible womanizer whose lecherous love life becomes too much to handle. Things culminate when his jealous friends arrange for his fiancee and his mistresses to meet him at the same time.
An intimate, ironic, and freewheeling portrait of Patrizia Cavalli.
What would our lives be like if we could change their destiny?, (based on "Les 2 minutes du peuple" by François Pérusse).
The French intelligence service want to use a double agent to eliminate a terrorist groupe. To do this, the captain Duroc will give to the traitor a car filled with explosives. But the whole thing is a double trap. One of the officer of the Service, Leroy, has plan a dreadful blow to discredit his new director. He had chosen Duroc because is not supposed to be an intelligent agent.