Complet Lamour En Laisse

A priest and nun, haunted by physical longings, leave their respective callings. Even after their desires are fulfilled they experience crisis of faith.

Antoni Farrazzi, a seasonal worker in the maintenance of the ski lifts, is called to the resort of Nivance, run by a certain Matthias, who supports the reputation of the resort with a subterfuge. Antoni is going to meet Josefa, a beautiful and amnesiac woman who lives with Matthias and whom he once knew as a child.

Although there are women in the lives of the three main protagonists -- a middle-aged architect, his construction designer, and a journalist -- the women are not as crucial to the men's search for an identity as the title might suggest. When the three men run into a former professor of the architect and designer, they are inspired by his fanfare and expansive nature. Still in search of solutions to their particular problems, the men head out to visit the professor and get to the bottom of their own issues. Unfortunately, the professor turns out to be more "loco" than otherwise, and the three men watch their hopes burst like a popped balloon -- it seems like their ability to assess human character should now be added to their list of problem spots.

Some people get the short straw when it comes to love, be it on a financial, material or emotional level. This documentary series recounts love stories gone incredibly wrong, fairy tales turned into horror stories.

When teenager Margaux bonds with seven year old Juliette and a local fisherman, her summer holidays turn upside down. An unusual friendship, where Margaux experiences tenderness and play and discovers a new way to understand herself.

The reality of addiction in a tough-minded docudrama set in the bleak milieu of hustlers and junkies in Montreal.

Humiliated by the 1967 defeat, the Egyptian people look for ways to rebuild their sense of identity. Religion seems to point the way for them: Jocelyne Saab portrays the success of the Muslim Brotherhood and the increasingly rigid cultural values taking over Cairo at the end of the 1980s.

With excerpts from her diary as a link narrative, Chloé has realised a series of animations, which tells her failed love stories and developped her theories on love.

The film is a road movie that follows a middle aged man who gives a young woman a lift. On the car radio, news bulletins warn the population against a recently escaped sadist who is known to prey on young women and children. Lelouch often cuts away from the main story, if only briefly, to parallel events that are not necessarily crucial to the story but illustrate what is suggested by the radio.

During the German occupation, Jeanne Moncatel, pretty but complexed, has to put up with her mother, a cantankerous old woman who keeps telling her she's ugly, which she also believes. She takes in Pierre Ségur, who was fleeing the Germans and had his eyes burned out. His life is turned upside down.

A staging of Olivier Py's play "L'Amour vainqueur" by himself. It is based on the tale "Maid Maleen" by brothers Grimm.

Two adaptations. First, "Le Rideau cramoisi" by Jules-Amédée Barbey d'Aurevilly is about a young second lieutenant of hussars, garrisoned in the provinces, who evokes a strange adventure. Staying with an old couple, he acts as acquaintance with Albertine, the daughter of his hosts, fell in love with her and, after paying her assiduous courtship, made her his mistress. But one night, she died in his arms. He tried in vain to get rid of the corpse and ended up run away. Second, "Mina de Vanghel" by Stendhal is about Mina, a young German, who came to settle in France with her mother in 1820. Her father, a deceased Prussian general, left her a immense fortune. Courted, she falls in love with Monsieur de Ruppert, a ruined man whose castle her mother bought. But Mina does not take long to unmask the dowry hunter.

The story of a hotel boss that, from time to time, observes the couples in the rooms and even films them.

An in-demand model, Nathalie can't shake the memory of her fiancé Michel, who died in a tragic car accident. To help her forget, she attends erotic parties organized by a friend. One day, she meets Pierre, who invites her to his château.

Centers on a Parisian rapper who suddenly becomes deaf and his relationships.

Heirs to a family fortune are invited to a Corsican villa, where sex and murder are always lurking around the corner.

"What Life Took From Me" is a Mexican telenovela produced by Angelli Nesma Medina for Televisa. It is a remake of Bodas de odio, produced by Ernesto Alonso in 1983. In 2003, "True Love", the first remake, was produced by Carla Estrada. Unlike Bodas de odio and "True Love", "What Life Took From Me" has been adapted to the present time.