Complet La So

This last short of Tonino De Bernardi is a meditative film about his life and cinema: he recovers an experimental short film made in the 60s and sticks in the final part of the film a sequence with his grandson - a line of continuity between Tonino's cinema and grandson's life.

A pregnant parishioner can't get her boyfriend to marry her and the home office thinks that foundling girl the priest took in is too old now to live under the same roof with him. It's always something, ain't it?

This is a comedy full of tangles, with the picaresque occurrences of Tristan, and the involvement of frontline actors.

Dead bodies have washed up on the banks of the river. When Abraham finds out that one of them was his friend, he embarks on a journey to fulfill a promise that will take him to the Guacari tree.

Documentary about sound design, a film proposed in addition to "Petits contes sous la neige".

Myriam, an orphan, learns that she is going to change foster families. She is often mocked for her naivety, but this candor allows her to see what others do not: talking animals or even benevolent witches who guard the forest overlooking the city. Only she could believe in the destiny of young Bilal who, he claims, is going to join his parents on the planet Mars. This first summer day will be their last in the land of their childhood.

This is a film about the rehearsing of Molière's 'Tartuffe' in 1995. Working handheld or with a stand for up to 12 hours a day, cameraman Eric Darmon became so much part of the landscape that he had a totally free hand in documenting the play's gestation, complete with director Ariane Mnouchkine's instructions, urgings and moments of uncertainty. Every action, decision, and all the tensions, elation, gaffes and bouts of craziness were filmed as they happened. And then along came editor Catherine Vilpoux, faced with 580 hours of rushes and a titanic exercise in viewing, sorting, selecting and assembling. Gradually the film took shape a shape that reflects the Théâtre du Soleil's commitment to finding the right theatrical form. Ultimately, is this a film about stage directing? About a troupe of actors? About the way actors work? About how an actor is born? About the learning process? The teaching process? The theatre? Life? Probably all of that. And an unparalleled work of its kind.

In the Castilian plateau the hours transmute, time blurs, five women coexist with the void.

A group of English technicians who settled in Santiago del Estero to build a bridge for the railroad got in touch with local women.