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Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.
Two brothers live in Montbard, Burgundy. For their summer vacation, they decide to visit their mother in Saint-Jean-de-Luz, because it’s been a long time, because it would make her happy… There’s no shortage of reasons. They buy a second-hand motor home and plan to stay open to whatever the road brings them, embarking on a brothers’ journey across France. Just the two of them. But then an endearing young woman crosses their path...
Two young people without any experience in love, decide to give their bodies to the fate and destiny of life. They will be face to face with pain, joy, disappointment and hatred, and they will have to fight to stay together despite all obstacles that come before them.
July 13, 1389. On the initiative of the Mayor, warned by a famous astrologer, the town of La Rochelle is getting ready - 400 years in advance! to celebrate the Fête Nationale with dignity! But the English, who already held almost every square in the Kingdom of France, set their sights on La Rochelle. The enemy fleet cruised off the coast, and while preparations for the festivities continued, orders were given to stretch the enormous chain that was to block access to the port between the two towers. However, this complicated maneuver and responsibility fear to provoke countless avatars.... The fatuity of the captain of the guards, Thimoléon, the reckless coquetry of the governor's daughter, Hiildegarde, the thick stupidity of the adjutant, the deceitfulness of the traitor and the scheming of a mysterious Scotsman lead the city to the brink of the abyss, while the people, excited, stage a fleeting riot in which the daughters of La Rochelle will have the last word.
A little boy Anatole lives in 1960s in the steppe in Kazakhstan with his parents-archaeologists. One day he witnesses the accidental death of his brother, this drama traumatizes the boy so much that he loses his ability to speak. Once he meets an old Kazakh who will teach him to hear again the world around him and will teach him how to speak again. The whole life of Anatole depends from now on from his ability to hear. His ear connects him to the world. 50 years later, the steppe calls him again.
When an explosion at an oil well threatens hundreds of lives, a crack team is called upon to make a deadly desert crossing with nitroglycerine in tow.
La Chica de Ayer is a Spanish television series which first aired on the channel Antena 3 between 26 April and 14 June 2009. A detective show, it was based on the British series Life on Mars which featured a policeman suddenly transported back to 1973. The Spanish version of the show was set four years later, in 1977, and took its name from the Spanish song "La Chica de Ayer" by Nacha Pop in a similar manner to the British version which was named after the David Bowie song "Life on Mars". It featured Ernesto Alterio in the role of Samuel Santos, a modern-day police officer who finds himself in 1977 post-Franco Spain under the command of Quin Gallardo, a tough old-school policeman contemptuous of his modern methods.
Buona la prima! is an Italian television series.